Cinderella Review

Last year Disney released a live action retelling of their animated classic Sleeping Beauty in the film Maleficent. It was okay; it would have been much worse without Angelina Jolie. This year, another live action remake of different animated Disney classic was released. After Maleficent's hype and subsequent mediocrity, I wasn't too keen on seeing the new Cinderella (2015). I was pleasantly surprised to find an engaging movie that has stuck to its (Disney) source better than the other fairy tale movies that have been released in the past several years.

Young Ella (Lily James) was raised in a happy and loving home by her parents (Ben Chaplin & Hayley Atwell). Her merchant father remarries following the tragic death of her mother. Keen to support her loving father, Ella welcomes her new stepmother Lady Tremaine (Cate Blanchett) and her daughters Anastasia (Holliday Grainger) and Drizella (Sophie McShera) into the family home. But when Ella's father suddenly and unexpectedly passes away, she finds herself at the mercy of a jealous and cruel new family. Finally relegated to nothing more than a servant girl covered in ashes, and spitefully renamed "Cinderella" since she is made to work in the cinders, Ella could easily begin to lose hope. Yet, despite the cruelty inflicted upon her, Ella is determined to honor her mother's dying words to "have courage and be kind." She will not give in to despair nor despise those who abuse her. One day Cinderella meets a dashing stranger in the woods (Richard Madden). Unaware that he is really a prince, not merely an employee at the palace, Ella finally feels she has met a kindred soul. It appears as if her fortunes may be about to change when the palace sends out an open invitation for all maidens to attend a ball, raising Ella's hopes of once again encountering the charming "Kit." Alas, her stepmother forbids her to attend and callously rips apart her dress. But as in all good fairy tales, help is at hand as a kindly beggar woman (Helena Bonham Carter) steps forward and, armed with a pumpkin and a few mice, changes Cinderella's life forever.

It's interesting that Disney chose to stick to the sweet innocence of their classic animated feature when remaking this live action adaptation. We've had movies like Red Riding Hood, Snow White and the Huntsman, Hansel & Gretel: Witch Hunters, and Jack the Giant Slayer which are all dark reimaginings of Grimm's fairy tales. But Cinderella stuck to its guns and remained a cute, romantic, and charming adaptation of the Disney animated classic. Had this come out ten years ago, I don't think it would have been as well received. Many of these dark fairy tales explore themes such as feminism, the blurred lines between hero and villain, and the strength of women. Those are great, and this Cinderella does focus on feminine strength, but not the sort in the previously mentioned movies. I think that to contrast these dark interpretations, Cinderella provides some pleasant themes of kindness for which we redeveloped a craving after all the mature and dark movies of the past decade. Some of them were good, but Cinderella is kind of a breath of fresh air we didn't realize we wanted.

This Cinderella has been criticized for making a weak girly character of its tragic heroine, lacking agency and independence. I disagree! Cinderella does have horrible things happen to her; had I been in her shoes I would have retaliated. But despite her circumstances, she chooses to return Lady Tremaine's cruelty with kindness and patience. She had the power to leave her abusive stepmother at any time, but chose to care for the home of her parents to honor their memory in spite of how demeaning and emotionally painful her stepfamily was. Also, in the scene where Prince "Kit" and Cinderella meet in the woods, at no point did I feel like he was in control. Cinderella was in control of the conversation and the outcome and allowing herself to be herself, regardless of what was thought of her. Furthermore, Cinderella had no interest in meeting the prince at the ball; her whole motive for attending was to simply have another chance meet the young man she'd met in the woods, not knowing he actually was the prince. She was not interested in high society, glitz and glamor, nor was she seeking to anything of self-interest. Cinderella was simply seeking a kindred spirit. This character is not defined by the men in her life, nor is she seeking to live up to men's expectations. Having said that, I think this Cinderella is more pro-feminism than Maleficent was; female strength needn't be physical nor should it be defined as power over men. It can very much be strength of character and sticking to ones principles. I love the warrior princess characters we've had in the past couple of years such as Merida in Brave, she and others are fantastic and worth emulating. I'm simply delighted to see a female protagonist be the type of woman who has the courage to be kind in a world full of cruelty. That's the kind of strength of character I think we should encourage and instill within our daughters.

I think this Cinderella is a better role model than its animated predecessor. I never liked the animated Cinderella movie that much because kind as the character is, she basically sits around wishing things were better and wants to go to the ball because girls like that kind of thing and the prince is handsome. This doesn't lend itself to depth of character, and even as a kid I thought she was uninteresting. I don't really like characters who rely on others to fix things for them, regardless of gender. This Cinderella, though, sticks to her principles with kindness and patience. She has moments of sorrow, but recommits herself to being a good person. It's not until she has reached her lowest low that her will finally breaks and begins to accept the world as a cruel place, no matter how hard she tries to make it good. At this point her Fairy Godmother intervenes, not to solve all her problems, but to give her the boost she needs to overcome her trials and find a sense of happiness again. The deus ex machina plot device that the fairy godmother normally provides is still present, but this Cinderella seems much more deserving of it. She's worked hard to be a force for good in her world rather than simply wishing things would get better.

I often mention good costuming to illustrate a time period. But the costumes and dresses in Cinderella were stunning and gorgeous beyond compare! Lady Tremaine's dresses are always the height of fashion, and Blanchett displays them as well as any fashion model would. The gown that Cinderella is granted for the ball is striking and resplendent; often put against orange colors, blue dress looks picturesque in every shot and almost seems to gracefully move of its own accord while Cinderella dances.

The only real issue I had with Cinderella was the CGI animal friends. Cute animal sidekicks and friends work well in animated Disney features, but in live action movies they tend to become awkward very quickly. I saw them in the trailer and was worried they would act as the primary comic relief, and be silly as they so often do in animated features. While they do appear regularly in the movie, it's only for short bouts and they act mostly like normal mice. I think it would have been just a little bit better had they trained some mice to run around looking cute rather than having slightly cartoonish digital mice run around looking cute.

Cinderella is a fantastic remake of Disney's classic animated feature. It's refreshingly traditional in this revisionist era of movie remakes. Kenneth Branagh shows us that Disney hasn't lost any of its old fashioned magic. This version has more depth and complexity than the original, but holds true to the classic tale even with some unexpected twists. They've done something right; this story has been retold many times over.  This fresh take on the story caused me to gasp a few times. This Cinderella is a stronger and more interesting character than her animated predecessor, and of a class that I would like to see more of. I even got caught up in the romance which is normally so clichéd that I check out of that particular subplot.  Cinderella is a good movie! The camera work was breathtaking in some scenes, especially the fireworks display at the ball.  After mulling it over in my mind, I've decided that I want a copy of it on Blu-Ray when it becomes available. You can wait until then if you want, but I think this is worth the price of a movie ticket.

With Cinderella being as well done as it was, I think I'm looking forward to Disney's upcoming live action Beauty and the Beast movie. That's one of my favorite animated Disney movies, and they'd better not screw it up! What are your feelings about this Cinderella movie and the upcoming Beauty and the Beast one? Comment below and let me know!

Hansel & Gretel: Witch Hunters Movie Review

I suppose that Hansel & Gretel: Witch Hunters came about in wake of other dark fairy tale revisions such as Red Riding Hood, Snow White and the Huntsman, and Jack the Giant Slayer. Unlike the others Hansel & Gretel was not meant to be taken very seriously, and indeed it is hard to do so. But even for a fantasy/action/comedy/horror movie that aims for campy fun, it's still not very impressive.

The siblings Hansel and Gretel are left alone in the woods by their father and captured by a dark witch in a candy house. However, they kill the witch and escape. Years later the orphans Hansel (Jeremy Renner) and Gretel (Gemma Arterton) have become famous witch hunters. When eleven children go missing in a small village, the Mayor summons Hansel and Gretel to rescue them. Upon arrival, the siblings save the red haired Mina (Pihla Viitala) from the local sheriff (Peter Stormare) who is accusing Mina of Witchcraft. Soon they discover that the Blood Moon will approach in three days and the powerful dark witch Muriel (Famke Janssen) is responsible for the abduction of the children. She intends to use the children together with a secret ingredient in a Sabbath to make the coven of witches protected against fire. As Hansel and Gretel race against time and fight off powerful witches, they begin to learn some mysterious secrets about their parents.

I have to give this movie a little bit of credit. They took what is ordinarily a short and simple fairy tale and did practically nothing to change it. The whole classic fairy tale is done during the prologue of the movie before the opening credits start rolling. This movie is about what happened afterwards and hints at creative underlying motives of the characters. The fairy tale is not corrupted or reinterpreted; just expanded. I liked that, and it gave Hansel & Gretel: Witch Hunters some potential to be an interesting and fun movie.

Of course, they didn't actually make it interesting or very fun. The movie starts out with some exciting action scenes chasing and killing witches with ridiculous weapons that would seem at home in a Final Fantasy video game, but then it slows down a whole lot. Hansel develops a romantic interest with Mina and Gretel meets up with a troll. Most of these scenes don't seem to do much for the story overall. I realize a movie like this isn't going to be profound by any means, but during these scenes it's almost like it's flailing around to achieve some deep character development. That's respectable, but seems so perfunctory and not well thought out.

The movie is very predictable. With each character that is introduced, you can pretty accurately predict how each one was going to play out. I was never wrong. I did, however, appreciate that there wasn't an insipid teenage love triangle forced into the story. We have too much of that rubbish already. One inconsequential detail about Hansel's character that I liked a whole lot was the fact that because he was force fed candy as a kid in the candy cottage, he now has diabetes and has to take regular insulin shots. That makes sense, and is not something I had ever considered. It really has no meaningful role in the movie, but it was kind of a neat detail.

The special effects were kind of hit or miss. The CGI lacked refinement and looked very much like it was computer-generated imagery; the blood and gore looked almost silly, but was better than that of Sharknado. The practical effects were decent, though. The aforementioned troll was all animatronics and looked pretty good. Exploding heads and other such nastiness looked good for what it was. It's not exactly my cup of tea, but that's appealing to some viewers.

Hansel & Gretel: Witch Hunters is an interesting genre mash up. The fantasy isn't half bad, the action is ridiculous and hard to take seriously, the comedy usually falls flat, and the horror is more like "somewhat gross" than it is actually scary. There's several F-bombs and other profanity which I didn't really feel was necessary; the profanity and gore gives it an R rating. The story slows in the middle, but the beginning and end is pretty exciting. In the end it's not a very good movie and isn't as much fun as it tries to be. It's little bit better than Abraham Lincoln: Vampire Hunter; it doesn't quite achieve what it's trying to be. It's okay if you just want to watch some senseless violence that doesn't require much thought, and even then it's barely worth the price to rent. Otherwise, don't bother.

I know I've asked before, but what other dark fairy tale revisions would you like to see?

Red Riding Hood Movie Review

I have praised the recent dark fairy tale movies that have come about recently, Snow White and the Huntsman and Jack the Giant Slayer were both creative and decent movies. The first of these dark fairy tale movies to hit theaters was Red Riding Hood (2011), so in the interest of seeing the movie that started the trend, I finally got around to watching it. Big mistake.

Valerie (Amanda Seyfried) is a beautiful young woman torn between two men. She is in love with a brooding outsider, Peter (Shiloh Fernandez), but her parents have arranged for her to marry the wealthy Henry (Max Irons). Unwilling to lose each other, Valerie and Peter are planning to run away together when they learn that Valerie's older sister has been killed by the werewolf that prowls the dark forest surrounding their village. For years people have maintained an uneasy truce with the beast, offering the creature a monthly animal sacrifice. But under the blood red moon, the wolf has upped the stakes by taking a human life. Hungry for revenge, the people call on famed werewolf hunter, Father Solomon (Gary Oldman), to help them kill the wolf. But Solomon's arrival brings unintended consequences as he warns that the wolf, who takes human form by day, could be any one of them. As the death toll rises with each moon, Valerie begins to suspect that the werewolf could be someone she loves. But as panic grips the village, Valerie discovers she has a unique connection to the beast -- one that inevitably draws them together, making her both suspect and bait.

So I didn't realize it at first, but Red Riding Hood was directed by Catherine Hardwicke, who had directed Twilight three years prior. I'm not entirely sure Hardwicke realized she was directing a different movie; both movies feature supernatural killers, a love triangle between unbelievably simple and shallow characters, long moments where the plot seems to go out for doughnuts while the movie keeps going, and a very likely abusive relationship framed as if it were romantic. To its credit, Red Riding Hood was better than Twilight, but not by much.

Amanda Seyfried is a pretty talented actress. She was great in In Time, she was a lovable spunky young lady in Mama Mia!, and she was an excellent Cosette in Les Misérables. Gary Oldman is a stellar actor who is often the best part of most movies he's in. To be honest, they were both very good in Red Riding Hood, it's just that the script they had to work with was as insipid as it was dull. I can't imagine what drove each of them to be in this movie, I'm hoping they somehow didn't get to see a script before accepting the role or something. And get this; Billy Burke, who played Valerie's father, also plays Bella Swan's father in Twilight. He's not much better in Red Riding Hood.

The script was pretty awful. Valerie spent a lot of time fretting over what to do about the two men who want to have her in their lives. Peter and Henry have to act manly, virile, and try win Valerie's attention in each scene. Even the dialogue was awful; they actually talk about having crushes on other characters. They actually use the word "crush." This is the dark ages, not a modern middle school! This is what makes up a bulk of the script. Fortunately it's interrupted on occasion to remind us there is a werewolf in the movie; I think we actually get to see it two times. I liked the McCarthy-Era type paranoia they tried to incorporate as the villagers grow more distrusting of one another during the werewolf hunt. Uninteresting love triangles have become a trite cliché in movies recently. Red Riding Hood is not bad in scenes where the love triangle isn't the main focus, but unfortunately it is the main focus for a lot of the movie.

They did work in the classic elements of the original Little Red Riding Hood story in creative ways; the "what big teeth you have, Grandma" line, the red hooded cloak, don't talk to strangers in the woods, etc. You expect to see them in the movie, but when they do appear, they don't show up in a way you'd expect. It also made some allusions to other fairy tales that feature a "big bad wolf," which was neat. It's really about the only thing to get excited over.

Red Riding Hood was a disappointment. It could have been a good werewolf movie with a strong female protagonist, some great werewolf fight scenes, and a new twist on the classic fairy tale that so many enjoy. But no, this is basically just Twilight set during the dark ages. The special effects were lackluster at best. The werewolf was little more than a large CGI black wolf; no half-man-half-wolf thing going on at all. The whole village may as well have been middle school students by the way they talked. You may like Red Riding Hood if you're a fan of Twilight, but otherwise don't bother with this movie; it's just awful. It's not even worth borrowing from a friend.

Are there GOOD movies with a love triangle in it? I'm getting pretty fed up with them. I'd love to see one that was actually good, not overwrought and weepy. Can you think of one? Comment below and let me know!

Jack the Giant Slayer Movie Review

Several dark fairy tale revisions have come out in the past couple of years. Alice in Wonderland, Red Riding Hood, and Snow White and the Huntsman have been darker, edgier retellings of well known fantasy stories. While they aren't at fault for having female protagonists by any means, I'm glad we got a fairy tale movie with a male protagonist in Jack the Giant Slayer (2013).

Jack's (Nicholas Hoult) family farm is near ruin and goes to sell his horse at the castle village. A strange monk gives Jack a small bag of magical beans as collateral for promised money in exchange for the horse. That evening the runaway princess Isabella (Eleanor Tomlinson) arrives at Jack's cottage to escape the rain. After one of the beans falls between the floorboards, the cottage is caught in a giant beanstalk growing miles high. Isabella is trapped in the cottage while Jack falls to the ground. The King (Ian McShane) orders the leader of the elite guard, Elmont (Ewan McGregor), to lead some men up the beanstalk to save his daughter, Lord Roderick (Stanley Tucci), a noble meant to marry the princess, but seems to have ulterior motives, and Jack accompany them. At the top they discover the legendary realm of the giants, but when Fallon, (Bill Nighy) the leader of the giants, discovers the humans, he plans to use the beanstalk to reclaim to the land below.

Jack and the Beanstalk has always been a favorite fairy tale of mine. I'm delighted to say that this version is a exciting, original, and entertaining adventure. Like Snow White and the Huntsman, Jack the Giant Slayer has all the elements you expect from the original tale; selling farm animals for magic beans, gigantic beanstalks, man eating giants, the "Fee-fi-fo-fum" line, etc. It's a respectable adaptation of the original fairy tale while still throwing a bunch of new twists and turns at us, yet the new elements still seem like the stuff of classic fairy tales and don't seem out of sorts in the movie.

Jack the Giant Slayer was directed by Bryan Singer who is known for directing or producing the three good X-Men movies out of the five that are currently out. Like his other movies, Jack the Giant Slayer was very visually based and special effects intensive. Yet like the [good] X-Men movies, there is a nice balance of story and visual effects. There are several points in the movie I just had to step back and marvel at the detail in the visual effects. Not everything was CGI, though; we saw some gorgeous countryside scenery and some very elaborate sets. Exterior shots of Isabella's castle had to be digital imagery, but most of the interior shots looked like actual sets, and they were very impressive.

The characters aren't the main focus of the movie, the visual effects are. The giants are all computer animated, but they still move in a lifelike way, and as if they have a weight to them. It's pretty distracting when a computer-animated creature in a movie moves like it weighs nothing; it's like the movie screams, "Hey! This is fake!" But even things like the miles-high beanstalk being chopped down were well animated. A beanstalk that grows miles high is going to be extremely heavy and will likely cause considerable damage when chopped down. Jack the Giant Slayer did all that and more. It was genuinely fun to watch.

Jack the Giant Slayer was a fun movie. The characters were predictable, but were played by some excellent actors. The special effects were amazing and well executed. There is lots of action, a few laughs, plenty of unexpected twists and turns, and several moments that cause you to go, "Wow, that was cool!" There are parts that are predictable, but the movie presents them in unique and creative ways. I'd say it's an above average renter, but if you can catch it in theaters it's really exciting and fun on the big screen. I may get a copy on Blu-Ray when it becomes available.

What's a dark fairy tale movie you'd like to see made in the future? I think a dark, medieval Beauty and the Beast would be pretty amazing. Comment below and tell me all about it!