The Jungle Book Review

So, it seems that live-action remakes of classic Disney animated features are going to be a trend now. I still say that Maleficent was not that impressive, while Cinderella exceeded my expectations. I'd heard about a live-action Beauty and the Beast remake, but a live-action version of The Jungle Book (2016) slipped under my "coming soon" movies radar. The original animated Jungle Book isn't one of Disney's greatest films, though I enjoyed it as a kid. This newer version has more story to it and is more thematically cogent.

Raised by a family of wolves since birth, Mowgli (Neel Sethi) must leave the only home he's ever known when the fearsome tiger Shere Khan (Idris Elba) unleashes his mighty roar. Guided by a no-nonsense panther (Ben Kingsley) and a free-spirited bear (Bill Murray), the young boy meets an array of jungle animals who don't have his best interests at heart, including a slithery python (Scarlett Johansson) and a smooth-talking ape (Christopher Walken).

The Jungle Book is a collection of short stories written in 1894 by Rudyard Kipling. And according to Disney tradition, their original 1967 animated musical was a significantly watered down and sugar-coated version that had little to do with the book upon which it was based. There was a 1994 live-action version of The Jungle Book which featured no talking animals. This third version of The Jungle Book strikes a balance between Disney's two previous versions by retaining the buoyant spirit of the 1967 films (as well as some of its memorable songs) while crafting a movie with more realism and peril. I think this balance worked out very well.

In the animated Jungle Book, there wasn't much theme or story surrounding it. Disney was content to have some cute characters sing some musical numbers and have a villain generate some kind of tension regardless of how vague his motives might be. Thematically, I interpreted the animated movie to be about growing up. Mowgli is being encouraged to leave the fun filled jungle and go to the man village and take on responsibilities, Mowgli resists this, trying on new animal personas, up until he discovers a human young lady and then has no trouble at all moving from childhood. In this version of The Jungle Book, it's more about nature and man's place in it. Back in Kipling's day, nature was something to be overcome and tamed, where as now nature is something to be protected. Mowgli loves and respects nature, but as a human he is prone to making and using tools. This is mankind's adaptive skill, as opposed to tooth and claw that the rest of the animal kingdom has. It is established, that while Mowgli's tools have very practical use, they are not in alignment with the natural world, and it would be in his best interest to leave the jungle to be with his own kind where such tools are more inherent. A sense of urgency is produced by Shere Kahn who distrusts man and his tools because he was burned by fire or "Man's red flower" which disfigured him. Fire itself is developed as a powerful tool that humans use. Fire was similar to The One Ring in The Lord of the Rings, in that controlling it was  going to give someone ultimate power, but corrupt them as well as create destruction. Thematically, everything fit together beautifully. The story and theme were woven together in this new interpretation without detracting from the fun quality of the original animated film.

Initially, I was surprised that more of the movie was not shot in actual jungle locations, given the prominent theme of preserving the natural order of things. This was a CGI intensive movie that used a lot of green screen to create a surreal, dreamlike world. The Jungle Book made glorious use of photo-realistic rendering, computer-generated imagery, and motion capture technologies in such a way that frankly rivaled the innovations of Avatar and Life of Pi. Among the most impressive uses was the motion capture, and none was more impressive than that done for the character of King Louie. This antagonist shows up later in the movie, and is essentially the catalyst which gives Mowgli the idea of how he can defeat Shere Kahn. When we see King Louie, I thought he looked familiar. It took me a few minutes before I realized that this Gigantopithecus, looked, sounded, and acted a whole lot like Christopher Walken. The mannerisms were so spot on of the actor, even Louie's eyes looked like Walken's. The visuals and camera work are nothing short of amazing.

Admittedly, I wasn't real keen on a remake of The Jungle Book, since I didn't find the original all that great. But this version was fantastic! It's as lovely to behold as it is engrossing to watch, and is only bolstered by a stellar vocal cast. The Jungle Book actually makes significant improvements upon its predecessors while setting remarkable new standards for CGI. This wasn't a musical, though it had Baloo singing a bit of the song "Bear Necessities" and King Louie singing a shorter and slightly altered version of "I Wan'na Be Like You" to give it a different context for this version of the movie. Though not part of the actual movie, Scarlet Johansson sings Kaa's "Trust in Me" song over the end credits. This is a good movie and worth the money to see in theaters; it would be a great film to see as a family. I'd also consider getting a copy on home video when it's available.

Disney is cranking out live-action versions of their animated classics. I'm still looking forward to Beauty and the Beast, even more so after seeing this the fantastic transition made on Cinderella and now The Jungle Book. What is an animated Disney movie that you'd like to see made into a live-action film? Comment below.

Cinderella Review

Last year Disney released a live action retelling of their animated classic Sleeping Beauty in the film Maleficent. It was okay; it would have been much worse without Angelina Jolie. This year, another live action remake of different animated Disney classic was released. After Maleficent's hype and subsequent mediocrity, I wasn't too keen on seeing the new Cinderella (2015). I was pleasantly surprised to find an engaging movie that has stuck to its (Disney) source better than the other fairy tale movies that have been released in the past several years.

Young Ella (Lily James) was raised in a happy and loving home by her parents (Ben Chaplin & Hayley Atwell). Her merchant father remarries following the tragic death of her mother. Keen to support her loving father, Ella welcomes her new stepmother Lady Tremaine (Cate Blanchett) and her daughters Anastasia (Holliday Grainger) and Drizella (Sophie McShera) into the family home. But when Ella's father suddenly and unexpectedly passes away, she finds herself at the mercy of a jealous and cruel new family. Finally relegated to nothing more than a servant girl covered in ashes, and spitefully renamed "Cinderella" since she is made to work in the cinders, Ella could easily begin to lose hope. Yet, despite the cruelty inflicted upon her, Ella is determined to honor her mother's dying words to "have courage and be kind." She will not give in to despair nor despise those who abuse her. One day Cinderella meets a dashing stranger in the woods (Richard Madden). Unaware that he is really a prince, not merely an employee at the palace, Ella finally feels she has met a kindred soul. It appears as if her fortunes may be about to change when the palace sends out an open invitation for all maidens to attend a ball, raising Ella's hopes of once again encountering the charming "Kit." Alas, her stepmother forbids her to attend and callously rips apart her dress. But as in all good fairy tales, help is at hand as a kindly beggar woman (Helena Bonham Carter) steps forward and, armed with a pumpkin and a few mice, changes Cinderella's life forever.

It's interesting that Disney chose to stick to the sweet innocence of their classic animated feature when remaking this live action adaptation. We've had movies like Red Riding Hood, Snow White and the Huntsman, Hansel & Gretel: Witch Hunters, and Jack the Giant Slayer which are all dark reimaginings of Grimm's fairy tales. But Cinderella stuck to its guns and remained a cute, romantic, and charming adaptation of the Disney animated classic. Had this come out ten years ago, I don't think it would have been as well received. Many of these dark fairy tales explore themes such as feminism, the blurred lines between hero and villain, and the strength of women. Those are great, and this Cinderella does focus on feminine strength, but not the sort in the previously mentioned movies. I think that to contrast these dark interpretations, Cinderella provides some pleasant themes of kindness for which we redeveloped a craving after all the mature and dark movies of the past decade. Some of them were good, but Cinderella is kind of a breath of fresh air we didn't realize we wanted.

This Cinderella has been criticized for making a weak girly character of its tragic heroine, lacking agency and independence. I disagree! Cinderella does have horrible things happen to her; had I been in her shoes I would have retaliated. But despite her circumstances, she chooses to return Lady Tremaine's cruelty with kindness and patience. She had the power to leave her abusive stepmother at any time, but chose to care for the home of her parents to honor their memory in spite of how demeaning and emotionally painful her stepfamily was. Also, in the scene where Prince "Kit" and Cinderella meet in the woods, at no point did I feel like he was in control. Cinderella was in control of the conversation and the outcome and allowing herself to be herself, regardless of what was thought of her. Furthermore, Cinderella had no interest in meeting the prince at the ball; her whole motive for attending was to simply have another chance meet the young man she'd met in the woods, not knowing he actually was the prince. She was not interested in high society, glitz and glamor, nor was she seeking to anything of self-interest. Cinderella was simply seeking a kindred spirit. This character is not defined by the men in her life, nor is she seeking to live up to men's expectations. Having said that, I think this Cinderella is more pro-feminism than Maleficent was; female strength needn't be physical nor should it be defined as power over men. It can very much be strength of character and sticking to ones principles. I love the warrior princess characters we've had in the past couple of years such as Merida in Brave, she and others are fantastic and worth emulating. I'm simply delighted to see a female protagonist be the type of woman who has the courage to be kind in a world full of cruelty. That's the kind of strength of character I think we should encourage and instill within our daughters.

I think this Cinderella is a better role model than its animated predecessor. I never liked the animated Cinderella movie that much because kind as the character is, she basically sits around wishing things were better and wants to go to the ball because girls like that kind of thing and the prince is handsome. This doesn't lend itself to depth of character, and even as a kid I thought she was uninteresting. I don't really like characters who rely on others to fix things for them, regardless of gender. This Cinderella, though, sticks to her principles with kindness and patience. She has moments of sorrow, but recommits herself to being a good person. It's not until she has reached her lowest low that her will finally breaks and begins to accept the world as a cruel place, no matter how hard she tries to make it good. At this point her Fairy Godmother intervenes, not to solve all her problems, but to give her the boost she needs to overcome her trials and find a sense of happiness again. The deus ex machina plot device that the fairy godmother normally provides is still present, but this Cinderella seems much more deserving of it. She's worked hard to be a force for good in her world rather than simply wishing things would get better.

I often mention good costuming to illustrate a time period. But the costumes and dresses in Cinderella were stunning and gorgeous beyond compare! Lady Tremaine's dresses are always the height of fashion, and Blanchett displays them as well as any fashion model would. The gown that Cinderella is granted for the ball is striking and resplendent; often put against orange colors, blue dress looks picturesque in every shot and almost seems to gracefully move of its own accord while Cinderella dances.

The only real issue I had with Cinderella was the CGI animal friends. Cute animal sidekicks and friends work well in animated Disney features, but in live action movies they tend to become awkward very quickly. I saw them in the trailer and was worried they would act as the primary comic relief, and be silly as they so often do in animated features. While they do appear regularly in the movie, it's only for short bouts and they act mostly like normal mice. I think it would have been just a little bit better had they trained some mice to run around looking cute rather than having slightly cartoonish digital mice run around looking cute.

Cinderella is a fantastic remake of Disney's classic animated feature. It's refreshingly traditional in this revisionist era of movie remakes. Kenneth Branagh shows us that Disney hasn't lost any of its old fashioned magic. This version has more depth and complexity than the original, but holds true to the classic tale even with some unexpected twists. They've done something right; this story has been retold many times over.  This fresh take on the story caused me to gasp a few times. This Cinderella is a stronger and more interesting character than her animated predecessor, and of a class that I would like to see more of. I even got caught up in the romance which is normally so clichéd that I check out of that particular subplot.  Cinderella is a good movie! The camera work was breathtaking in some scenes, especially the fireworks display at the ball.  After mulling it over in my mind, I've decided that I want a copy of it on Blu-Ray when it becomes available. You can wait until then if you want, but I think this is worth the price of a movie ticket.

With Cinderella being as well done as it was, I think I'm looking forward to Disney's upcoming live action Beauty and the Beast movie. That's one of my favorite animated Disney movies, and they'd better not screw it up! What are your feelings about this Cinderella movie and the upcoming Beauty and the Beast one? Comment below and let me know!

Enchanted Movie Review

Even outside of fairy tale stories, we still have an idea of what it means to live “happily ever after.” Even in action movies, we expect the hero to get the girl and ride off into the sunset. This archetype isn’t accurate to real life, and what better authority to comment on real world vs. fairy tale romance than Disney? This is the backbone of Enchanted (2007).

Giselle (Amy Adams) lives in the animated fairy tale world of Andalasia. She lives in a cottage in the woods with her animal friends and dreams of meeting a handsome prince. One day her Prince does come. She meets Prince Edward (James Marsden) and he proposes they be married tomorrow morning. The wicked Queen Narissa (Susan Sarandon) is threatened by Giselle; not wanting to surrender her rule of Andalasia to the prince and princess. Narissa banishes Giselle to a far off place where “there are no happily ever afters,” real-world (and live-action) New York City. Here Giselle meets Robert (Patrick Dempsey), a hardened but friendly single divorce lawyer. Robert reluctantly takes Giselle in at the insistence of his young daughter, and with great suspicion by Robert’s girlfriend. Prince Edward follows Giselle to New York along with his manservant Nathanial (Timothy Spall) and her chipmunk friend. Edward roams New York searching for his princess while Nathanial, under Narissa’s command, attempts to kill Giselle with poison apples. Fairy tale antics collide with real world complications, causing those involved to reevaluate what it means to live happily ever after.

Enchanted makes unabashed references to classic Disney fairy tales. It starts off with an opening narration (provided by Julie Andrews) read from an old book resting on velvet as was done inSnow White (1937), Cinderella (1950), and Sleeping Beauty (1991). There are many shots through out the movie that herald back to scenes from Disney classics such as the ballroom scene in Beauty and the Beast (1991), Giselle’s cottage being modeled after The Seven Dwarves’ cottage,  and Narissa being modeled after the evil queen in in Snow White. In one hysterical scene, Giselle sings a tune to summon animal friends to help clean up Robert’s apartment. The New York wildlife which responds are rats, pigeons, flies, and roaches; nevertheless they help do dishes, dust, and clean the bathtub. This pays homage to Snow White and Cinderella scenes. One of several musical numbers includes some of the old Mickey Mouse Club member (now seniors) as dancers. These references are fun and hilarious, but are seamlessly incorporated so they fit into the story without drawing attention to themselves.

I have yet to see a movie featuring Amy Adams where she is not a lovable character. Amy Adams’ inherent cuteness really helps sell her Disney-like Princess role; she acts sweet, naïve, optimistic, and makes exuberant displays of emotion. No one else could have played Giselle like Amy Adams does. Prince Edward is a headstrong hero who is very accustomed to everything working out perfectly as they always do for the prince charming, but New York doesn’t operate by fairy tale rules; Edward is yelled at in one scene after trying to slay a bus he mistakes for a dragon. James Marsden plays up the awkwardness of the colliding world settings very well, providing a lot of ironic and embarrassing humor. Patrick Dempsey plays the straight laced, down-to-earth lawyer; it’s great to see how Giselle helps show him that fairy tale love really can exist in the real world, and also how Robert helps show her that there is more to love than simply being with someone. The way Dempsey and Adams bounce off each other helps makes this movie both humorous and thought provoking.

Enchanted is a highly charming movie that the whole family would enjoy. If you haven’t seen it, you should. If you have seen it already, you should watch it again. Kids will love the quirky humor and the fairy tale situations, adults will enjoy the romance and nostalgic allusions of Disney classics they grew up with. This movie is comfortably sitting on my movie shelf with many of my other favorites; this is one worth owning, especially if you have small kids.