Cinderella Review

Last year Disney released a live action retelling of their animated classic Sleeping Beauty in the film Maleficent. It was okay; it would have been much worse without Angelina Jolie. This year, another live action remake of different animated Disney classic was released. After Maleficent's hype and subsequent mediocrity, I wasn't too keen on seeing the new Cinderella (2015). I was pleasantly surprised to find an engaging movie that has stuck to its (Disney) source better than the other fairy tale movies that have been released in the past several years.

Young Ella (Lily James) was raised in a happy and loving home by her parents (Ben Chaplin & Hayley Atwell). Her merchant father remarries following the tragic death of her mother. Keen to support her loving father, Ella welcomes her new stepmother Lady Tremaine (Cate Blanchett) and her daughters Anastasia (Holliday Grainger) and Drizella (Sophie McShera) into the family home. But when Ella's father suddenly and unexpectedly passes away, she finds herself at the mercy of a jealous and cruel new family. Finally relegated to nothing more than a servant girl covered in ashes, and spitefully renamed "Cinderella" since she is made to work in the cinders, Ella could easily begin to lose hope. Yet, despite the cruelty inflicted upon her, Ella is determined to honor her mother's dying words to "have courage and be kind." She will not give in to despair nor despise those who abuse her. One day Cinderella meets a dashing stranger in the woods (Richard Madden). Unaware that he is really a prince, not merely an employee at the palace, Ella finally feels she has met a kindred soul. It appears as if her fortunes may be about to change when the palace sends out an open invitation for all maidens to attend a ball, raising Ella's hopes of once again encountering the charming "Kit." Alas, her stepmother forbids her to attend and callously rips apart her dress. But as in all good fairy tales, help is at hand as a kindly beggar woman (Helena Bonham Carter) steps forward and, armed with a pumpkin and a few mice, changes Cinderella's life forever.

It's interesting that Disney chose to stick to the sweet innocence of their classic animated feature when remaking this live action adaptation. We've had movies like Red Riding Hood, Snow White and the Huntsman, Hansel & Gretel: Witch Hunters, and Jack the Giant Slayer which are all dark reimaginings of Grimm's fairy tales. But Cinderella stuck to its guns and remained a cute, romantic, and charming adaptation of the Disney animated classic. Had this come out ten years ago, I don't think it would have been as well received. Many of these dark fairy tales explore themes such as feminism, the blurred lines between hero and villain, and the strength of women. Those are great, and this Cinderella does focus on feminine strength, but not the sort in the previously mentioned movies. I think that to contrast these dark interpretations, Cinderella provides some pleasant themes of kindness for which we redeveloped a craving after all the mature and dark movies of the past decade. Some of them were good, but Cinderella is kind of a breath of fresh air we didn't realize we wanted.

This Cinderella has been criticized for making a weak girly character of its tragic heroine, lacking agency and independence. I disagree! Cinderella does have horrible things happen to her; had I been in her shoes I would have retaliated. But despite her circumstances, she chooses to return Lady Tremaine's cruelty with kindness and patience. She had the power to leave her abusive stepmother at any time, but chose to care for the home of her parents to honor their memory in spite of how demeaning and emotionally painful her stepfamily was. Also, in the scene where Prince "Kit" and Cinderella meet in the woods, at no point did I feel like he was in control. Cinderella was in control of the conversation and the outcome and allowing herself to be herself, regardless of what was thought of her. Furthermore, Cinderella had no interest in meeting the prince at the ball; her whole motive for attending was to simply have another chance meet the young man she'd met in the woods, not knowing he actually was the prince. She was not interested in high society, glitz and glamor, nor was she seeking to anything of self-interest. Cinderella was simply seeking a kindred spirit. This character is not defined by the men in her life, nor is she seeking to live up to men's expectations. Having said that, I think this Cinderella is more pro-feminism than Maleficent was; female strength needn't be physical nor should it be defined as power over men. It can very much be strength of character and sticking to ones principles. I love the warrior princess characters we've had in the past couple of years such as Merida in Brave, she and others are fantastic and worth emulating. I'm simply delighted to see a female protagonist be the type of woman who has the courage to be kind in a world full of cruelty. That's the kind of strength of character I think we should encourage and instill within our daughters.

I think this Cinderella is a better role model than its animated predecessor. I never liked the animated Cinderella movie that much because kind as the character is, she basically sits around wishing things were better and wants to go to the ball because girls like that kind of thing and the prince is handsome. This doesn't lend itself to depth of character, and even as a kid I thought she was uninteresting. I don't really like characters who rely on others to fix things for them, regardless of gender. This Cinderella, though, sticks to her principles with kindness and patience. She has moments of sorrow, but recommits herself to being a good person. It's not until she has reached her lowest low that her will finally breaks and begins to accept the world as a cruel place, no matter how hard she tries to make it good. At this point her Fairy Godmother intervenes, not to solve all her problems, but to give her the boost she needs to overcome her trials and find a sense of happiness again. The deus ex machina plot device that the fairy godmother normally provides is still present, but this Cinderella seems much more deserving of it. She's worked hard to be a force for good in her world rather than simply wishing things would get better.

I often mention good costuming to illustrate a time period. But the costumes and dresses in Cinderella were stunning and gorgeous beyond compare! Lady Tremaine's dresses are always the height of fashion, and Blanchett displays them as well as any fashion model would. The gown that Cinderella is granted for the ball is striking and resplendent; often put against orange colors, blue dress looks picturesque in every shot and almost seems to gracefully move of its own accord while Cinderella dances.

The only real issue I had with Cinderella was the CGI animal friends. Cute animal sidekicks and friends work well in animated Disney features, but in live action movies they tend to become awkward very quickly. I saw them in the trailer and was worried they would act as the primary comic relief, and be silly as they so often do in animated features. While they do appear regularly in the movie, it's only for short bouts and they act mostly like normal mice. I think it would have been just a little bit better had they trained some mice to run around looking cute rather than having slightly cartoonish digital mice run around looking cute.

Cinderella is a fantastic remake of Disney's classic animated feature. It's refreshingly traditional in this revisionist era of movie remakes. Kenneth Branagh shows us that Disney hasn't lost any of its old fashioned magic. This version has more depth and complexity than the original, but holds true to the classic tale even with some unexpected twists. They've done something right; this story has been retold many times over.  This fresh take on the story caused me to gasp a few times. This Cinderella is a stronger and more interesting character than her animated predecessor, and of a class that I would like to see more of. I even got caught up in the romance which is normally so clichéd that I check out of that particular subplot.  Cinderella is a good movie! The camera work was breathtaking in some scenes, especially the fireworks display at the ball.  After mulling it over in my mind, I've decided that I want a copy of it on Blu-Ray when it becomes available. You can wait until then if you want, but I think this is worth the price of a movie ticket.

With Cinderella being as well done as it was, I think I'm looking forward to Disney's upcoming live action Beauty and the Beast movie. That's one of my favorite animated Disney movies, and they'd better not screw it up! What are your feelings about this Cinderella movie and the upcoming Beauty and the Beast one? Comment below and let me know!

The Hobbit: The Battle of the Five Armies Review

The Hobbit: An Unexpected Journey was excellent and The Hobbit: The Desolation of Smaug left us dangling with an exciting cliffhanger. We had to wait until The Hobbit: The Battle of the Five Armies (2014) to see how this all ended and hopefully see how it tied in with The Lord of the Rings. Overall, The Five Armies was good, and gave us a satisfying end to the trilogy.

Bilbo Baggins (Martin Freeman), Thorin Oakenshield (Richard Armitage), and the rest of the dwarf company watch helplessly from the Lonely Mountain as the dragon Smaug (Benedict Cumberbatch) destroys Laketown in revenge for helping the dwarves. In Laketown, Bard (Luke Evans) manages to exploit Smaug's only tiny weakness and brings the dragon down. The dwarves tell Bilbo that Thorin has fallen into madness due to Smaug's "Dragon Sickness" as Thorin seaches for the Arkenstone, the symbol of Thorin's authority to rule the dwarves. Meanwhile, Galadriel (Cate Blanchett), Elrond (Hugo Weaving), Saruman (Christopher Lee), and Radagast (The Doctor Sylvester McCoy) rescue Gandalf (Ian McKellen) from the Necromancer's fortress. Gandalf learned of an Orc army from the east approaching the Lonely Mountain and hurries to warn the Dwarves. Elves Legolas (Orlando Bloom) and Tauriel (Evangeline Lilly) discover a goblin army making their way toward the Lonely Mountain, seeking the now unguarded gold. The Laketown survivors implore of Thorin only enough of the dragon's gold to rebuild their decimated lives. They are aided by the elf king Thranduil (Lee Pace) and his soldiers who himself seeks elven crown jewels from the dragon's keep. With these five armies closing in on the Lonely Mountain and Thorin struggling with madness and paranoia, an all out war will inevitably breakout. But Bilbo still has a few tricks up his sleeve and may turn the tides of war.

It did take me a while to figure out who the five armies were; I'd only counted four. The goblin and orc armies look very similar, after all. So, we've got men, dwarves, elves, the orcs and goblins who have been chasing our heroes throughout the trilogy, and an "orc army from the east." There are untold masses of riches and treasure in the Lonely Mountain, but not all the armies are after that. Some are after it for its strategic location to bolster their strength in upcoming war campaigns, others are after specific tokens that found their way into the hoard, and others naturally want more money than they can possibly know what to do with. Everyone has a stake in this battle.

The Desolation of Smaug had some pacing issues in the interest of telling a story, The Five Armies almost had the opposite problem. There is a whole lot of action in this installment to the point that we don't get much story development. To be fair, though, you should have seen all of these many characters developed and have understood enough of the set up in the previous two movies to not need much of that here. There is tons of action and fight scenes and the epic, big scale battles that Peter Jackson did so beautifully in The Lord of the Rings. The only fight I was disappointed in was battling Smaug; he's depicted as immensely powerful and an unstoppable force of destruction yet defeating him seemed a bit too easy and anticlimactic. That fight could have been lengthened or made more significant, but everything else was amazing. You will absolutely not leave this movie wishing there had been more action. In fact, I dare say it was on the brink of being too much action and not enough of anything else.

At the end of the movie we see a couple of characters going off in their own direction which we are sure will lead them to their respective roles in The Lord of the Rings. That was expected, but the one scene which really bridges this trilogy together with The Lord of the Rings is when Gandalf was rescued. Here we see some of the bearers of rings of power and some wizards duke it out with the Necromancer and the nine souls of men who succumbed to Sauron's power and attained near-immortality as wraiths. You watch this and understand how events in The Hobbit significantly affected things in The Lord of the Rings. While we do get a satisfying conclusion, by the end of The Five Armies you'll be ready to catch the next installment which is, of course, the first Lord of the Rings movie.

As a trilogy, The Hobbit has pacing issues and included a lot of extra stuff that wasn't in the book. I reiterate that these movies were based on the book by the same title, the appendices to The Return of the King, and Tolkin's personal notes. There is extra stuff that was not in the book, but is still technically cannon. Peter Jackson did add a few things here and there such as Tauriel's character and her rather annoying love interest with Kíli. The Lord of the Rings was a trilogy of books so it made sense to make them a trilogy of movies. The Hobbit was one book originally intended for kids. Now that I've seen the entirety of the trilogy, I think that about half of the extra material included in the movies could have been left out. It did feel like it was random filler to extend the length of the story and justify three movies instead of two, as was originally planned. I still think Jackson could have done The Hobbit an exceptional service transitioning it from book to movie if it had been left at two movies instead of a whole trilogy with extra padding to lengthen the story. This is not at all to say that I don't like The Hobbit; I do! I simply think a more concise pair of movies would have made them stronger. The Lord of the Rings is much better, but that is a very high standard to hold any movie up to.

The Hobbit: The Battle of the Five Armies was a lot of fun. It championed the beautiful visuals and special effects we have come to love from Middle-Earth movies, we saw our heroes in action one last time and saw their particular strengths shine in the hands of some great actors, we saw how the events in The Hobbit significantly affected events in The Lord of the Rings, and we saw a satisfying conclusion to this trilogy. If you remember that satisfied yet sad feeling you got as the end credits rolled at the end of Harry Potter and the Deathly Hallows part 2 when you realize that that is it and there will be no more Harry Potter movies, you'll likely feel that at the end of The Five Armies as you realize that there will be no more Middle-Earth movies. I recommend catching this in theaters, it's likely the last chance you'll get to see the beautiful fantasy world of Middle-Earth on the big screen. Though you should wait for the extended edition of the movie to hit blu-ray before buying a copy for your home collection.

What were your thoughts on the additional content put into The Hobbit trilogy. Comment below and tell me about it, but please avoid spoilers for anyone who hasn't seen everything yet.

Hanna Movie Review

I like genre blending stories. They can juxtapose storytelling tropes that ordinarily wouldn’t go together and by proximity they take on a new, interesting quality. Shaolin Soccer, for example, combined a sports movie with a Kung Fu movie and made a very extraordinary and entertaining movie. Hanna (2011) combined the cat-and-mouse chase spy movie with subtle elements of a fairy tale, giving us a fascinating movie.

Hanna (Saoirse Ronan) is a unique teenage girl. She has the strength, stamina, and the smarts of a soldier. These skills come from being raised by her father, Erik (Eric Bana) an ex-CIA man, in the wilds of Finland. Living a life unlike any other teenager, her upbringing and training have been one and the same; all geared to making her a perfect assassin. The turning point in her adolescent life is a sharp one; sent out into the world by her father on a mission, Hanna Journeys stealthily across Europe while eluding agents dispatched after her by a ruthless intelligence operative, Marissa Wiegler (Cate Blanchett). But as Hanna nears her target, she is faced with startling revelations about her existence and some disturbing questions about her humanity.

Hanna is a foreign film; a British-German action thriller with some subtle fairy tale qualities to it. These aren’t really overt; they are just subtle enough to make you think of a fairy tale allegory while enjoying some great action scenes. You can imagine a young princess being raised secluded from dangers in the world by her father, you can picture the prowling big bad wolf henchman who is stalking the innocent little girl as she travels through a strange environment, you can also easily picture Marissa as the wicked step mother wanting to stop the young princess, or even kill her. Even Hanna’s character is like a blend of Black Widow from The Avengers and Rapunzel from Disney’s Tangled. She’s a highly intelligent killing machine that exhibits a naïve sense of awe and wonder as she explores the world she has been cut off from. There isn’t really any magic or fantasy element in Hanna; it really is an action spy movie. But the beautifully subtle parallels to some of Grimm’s cautionary tales are hard to ignore.

The action sequences were remarkably well shot and choreographed. There was no real shaky cam to obscure the action; everything was meaningfully filmed and gave us a very clear image of what was happening. The director, Joe Wright, proves to us that action doesn’t need to be mindless. Even during scenes that are largely CGI and no actual human bodies are present, they are still well choreographed, making some truly beautiful action scenes.

There were a few times when the camera is following Hanna as she leaps, crawls, and flips around obstacles and she simply disappears from the shot and then turns a corner back into the same shot. It develops Hanna’s character by showing us that she is thinking a step or two ahead of us and is faster than our eye can keep up with. In several scenes in the movie, there were very long, sweeping shots that were remarkably well filmed. In one instance, Eric is arriving at an airport and the camera follows him from the terminal to a subway without any cuts. As we watch him walk from different angles we see CIA agents obscured from his vision but not from ours as they close in on him. The cinematography really is impressive in Hanna and it keeps it interesting.

A lot of action movies (and fairy tale movies for that matter) have over-the-top fantasy violence. Has anyone ever thought a James Bond movie was realistic? Hanna remains pretty well grounded, though, especially when she repeatedly encounters an ordinary British family on vacation. The family has a daughter named Sophie (Jessica Barden) who is probably the first girl her age that Hanna has ever met, and Sophie’s family is the first normal family she has ever seen. Scenes with the family are usually humorous, but it adds a touch of reality to the story that keeps the movie from going too far overboard in its own action-based exuberance.

As foreign films go, Hanna was quite good. The only bad thing I can say about it is it left a few loose ends unresolved. I didn’t get the feeling it was hoping for a sequel, but if the movie had gone maybe 5 more minutes to establish just a little more closure, it would have been perfect. There’s still something disquieting about a little girl who has been made into a ruthless killing machine; that alone says something about our views of gender roles. How would we have felt if Hanna was a 16-year-old boy?  Still, it’s great to see a strong female protagonist in a lead role. I liked Hanna, and I recommend seeing it. I didn’t love it enough to want my own copy, but it was well worth renting. Also, you should watch more foreign films.

What is your favorite cat-and-mouse style chase movie? Is it a spy movie like James Bond? Is it a sci-fi action movie like Predator? Comment below and tell me all about it!