Showing posts with label William Shatner. Show all posts
Showing posts with label William Shatner. Show all posts

Friday, June 5, 2015

Incubus Review

I recently heard about a constructed language called "Esperanto." While researching this topic online, I found out that there was a movie written entirely in this language made back in the 1960's called Incubus (1966). Furthermore, this movie starred William Shatner a year before his donned his iconic role as Captain James T. Kirk in the original Star Trek series. This simply sounded too good to pass up. As it turned out, parts of it actually are not bad. It's got some pretty creepy visuals in spite of its low budget.
As an injured soldier, Marc (William Shatner) has recently settled in the mysterious seaside community called Nomen Tuum, seeking out the healing springs there. But evil lurks in the idyllic countryside. Kia (Allyson Ames) is a succubus, luring to their final perdition men who already have sinful habits and libertine inclinations. She tires of this, it's too easy, and these souls are destined to Hell anyway. She wants to match wits and charm with someone who is good. So, against the advice of her sister Amael (Eloise Hardt), Kia seeks out Marc, a man who has already faced death with courage. After a night together, Kia finds that not only is Marc's goodness still intact, but that love has corrupted her as an agent of darkness. In anger, Kia and Amael conjure a demonic incubus (Milos Milos) to deal with Marc. Kia still cares for Marc, but she may not be able to break her bond with the dark side.
This sounds really dark. And, indeed, it is considerably dark for its day. This wasn't a campy run-of-the-mill B horror flick with ridiculous monsters which was so prevalent in the day. It's riddled with dark themes and religious imagery. However, it is still in the heydays of The Hays Code. This was a squeaky clean set of moral guidelines to which movie and TV studios had to adhere. It was thanks to The Hays Code that married couples in television shows back in the day were so frequently depicted as sleeping in separate twin beds. The only sexual anything insinuated is when Kia suggests doing a normative activity "naked" though no nudity or sexual activity is otherwise shown or hinted at. There's plenty of talk of demons and such, but it dances around terms they couldn't actually say at the time. "The Dark One" was said rather than "Satan" or an equivalent name. I believe they said "Hell" once, but that was about the worst of it. Any implied killing is handled with the incubus closing in on the camera before a fade to black. It's considered a horror movie, but it's less scary as it is atmospherically creepy. It may adhere to squeaky clean The Hays Code, but it remains thematically dark.
Esperanto is a constructed language. It was created by Dr. L. L. Zamenhof in 1887 as a planned auxiliary universal language to foster understanding among the world's people, and was designed specifically to be easy to learn as a second language. Esperanto is popular, especially on the internet, though it has not as yet achieved its goal. But it is the youngest living language in the world, merely a "baby" in linguistic terms. A test audience of Esperanto enthusiasts watch the movie and apparently laughed their heads off at the actors' poor pronunciation of the language. To me, the language sounds kind of like German with a little Italian. It sounded to me as if the whole cast was trying to sound Italian. Shatner was different; he grew up in Montreal, Canada and probably because of this, he keeps saying certain words with French pronunciations. The international language of Esperanto was used because of perceived greater international sales. Unfortunately, not enough people speak Esperanto to garner adequate interest in the movie. Americans don't like having to read subtitles, even though Incubus was an American film, filmed in California, and featured a predominantly American cast. The film's producers were unable to find any distribution for the film except in France, where it premiered in November, 1966.
Incubus was written and directed by Leslie Stevens, creator of the classic TV series, The Outer Limits. After the show was canceled, Stevens wrote a horror script to make use of the talents of The Outer Limits team he had brought together, intending to market it to art houses. Wanting a device to make the film unique, Stevens chose Esperanto as the film's language. The script was translated into Esperanto and the actors rehearsed for ten days to learn their lines phonetically, but evidently no one was present on the set to correct their pronunciation during shooting. The cinematography work is pretty impressive. There are some shots that make beautiful use of light, and there are a good number of scenes that utilize some low budget effects with outstanding results. For example, in one scene when Kia and Amael converse with "The Dark One" it is depicted as a huge backlit bat creature. We only see a moving silhouette being projected toward the camera through a cloud of mist. It's a cheap effect, but the result is remarkably eerie!
Incubus is an old horror movie starring William Shatner.  This movie is unique because it is filmed in a made-up language. If that's not enough, this film is not for you. It's got an above average crew and a decent cast, Shatner's acting notwithstanding. The camera work is excellent in some parts, and a little awkward in other parts. It's pretty dark, but that shouldn't be too big an issue since it still adheres to The Hays Code. The movie was lost for a number of years and was released on home video in 2001. The novelty of a movie in Esperanto is enough of a reason to see it if you can. It's not a great movie, but it is highly interesting. I recommend seeing it if you enjoy obscure movies, but I don't quite think it's worth the price to own.

Esperanto is an fascinating subject and I recommend learning more about it on Wikipedia: http://en.wikipedia.org/wiki/Esperanto

You can watch Incubus online for free on YouTube: https://www.youtube.com/watch?v=LHUfHj2lTaM
I doubt it's posted legally, so it may not be there for long. That's how I found it.

What are some other obscure, lost to the ages movie titles that are worth looking up? Comment below and let me know!

Friday, July 27, 2012

Osmosis Jones Movie Review

Do you remember being in elementary school and having to watch animated videos about the immune system? I recall germs being compared to criminals and white blood cells being compared to police officers. Evidently someone thought to take this concept and make a full length movie about it. Peter and Bobby Farrelly take their usually body function-inspired humor to a creative extreme in Osmosis Jones (2001) with a mixture of live action and animation.
Frank (Bill Murray) is an unhygienic zoo keeper, and a father of a bright young girl named Shane (Elena Franklin). Frank follows the “Ten-Second Rule” which dictates that dropped food is still safe to eat after ten seconds on the ground. But Frank doesn’t seem to consider the fact that his hardboiled egg had been in a monkey’s mouth and on the cage floor. The egg is crawling with germs, sending “The City of Frank” into a panic. At the Cellular level, we meet Osmosis Jones (Chris Rock), a maverick white blood cell cop working for The City of Frank Immunity Department. Also on the egg is deadly virus named Thrax (Laurence Fishburne) that begins terrorizing the city. Thrax is intent on becoming the next big viral disease, attempting to kill each new victim faster than the previous one. Meanwhile, Osmosis Jones teams up with a cold pill named Drix (David Hyde Pierce) that Frank took to try to combat his symptoms. They have 48 hours to stop Thrax before he destroys Frank.
Osmosis Jones flips back and forth between live action and animation. The scenes outside of Frank feature comedy actors like Bill Murry, Molly Shannon, and Chris Elliott, all Saturday Night Live alumni. Bill Murry is amazing in everything he is in, and he’s particularly good at comedy. I’m fairly certain that most of the scenes that featured Bill Murry were improvised. He’s amusingly gross and unsanitary. You’ll both cringe and laugh at his performance.
Roughly two-thirds of the movie is set in the fictionalized human body where anthropomorphic micro-organisms go about their business in the City of Frank. This is where the movie really shines. The art style is highly colorful and very creative. The animation looks slimy, goopy, and drippy. The characters move like blobs, rather than figures with a bone structure. The buildings sway and jiggle like gelatinous structures. Everything is just fascinating to watch.
The way the human body is depicted as a city is so creative. Various body parts represent different neighborhoods. The slums of the Lower East Backside, the stomach is the airport with regular departures for the colon, the Mafia hangs out in sweat glands in the armpit, and the brain is City Hall where Mayor Phlegmming (William Shatner) is planning his reelection against his opponent Tom Colonic (Ron Howard). Osmosis Jones and Drix gallivant all over the body chasing Thrax, yet the movie graciously avoids adventuring in the genital area.
There is a lot of bodily humor in this movie. In response to an inquiry about the housing shortage, Mayor Phlegmming announces the construction of a third chin. Tom Clonic’s campaign ad promises exercising and eating bran. There’s even a scene when Frank is trying to hide a runny nose which is pretty disgusting.  Yet it fits so well into the story and setting.
There are two stories going on here. Are they good? No, not really. It’s a very generic parent and child trying to bond in spite of different personalities and interests. It’s also a very typical buddy cop movie. Neither story does much to set them apart from others of their kind. While the plot is pretty standard and the characters are all common and predictable, the anthropomorphizing of cellular organisms is remarkably imaginative and the dialogue is usually witty.
Osmosis Jones is pretty good for what it is. Most critics seemed to dismiss it for its crude humor. I’m not a fan of crude humor, but I didn’t think it was a drawback. If anything the unconventional implementation of the crude bodily humor made it better. If you’re not too put off by Murray’s scratching and gas-passing antics, you’re in for an imaginative and eye catching tour of the human body. Kids will love the exciting action and the anatomical plumbing jokes and adults will enjoy the fanciful animation of this energetic movie. I recommend seeing Osmosis Jones and possibly buying a copy for your shelves at home; it’s good enough to see more than once.