The Road to El Dorado Review

While browsing Tumblr and other social media outlets I'll occasionally see internet memes from Dreamworks' animated feature The Road to El Dorado (2000). I remember enjoying it when it hit theaters 16 years ago, so it put me in the mood to see it again. The animation has aged well, and it's still an amusing animated family film. The Road to El Dorado is not quite as good as I remember, but it certainly is fun.

Con-men Tulio (Kevin Kline) and Miguel (Kenneth Branagh) get hold of a map to the lost City of Gold, El Dorado. After stowing away onto one of the ships of the Spanish explorer Hernán Cortés (Jim Cummings), the pair escapes and eventually do find the city. There, a fanatically vicious high priest named Tzekel-Kan (Armand Assante) who has a religious fixation for human sacrifices, proclaims them to be gods in a scheme to win control of the city for himself. Meanwhile, they meet a beautiful woman named Chel (Rosie Perez) who helps them in their ruse to escape El Dorado with as much gold as possible.

I've got to give props to Kevin Kline and Kenneth Branagh for their roles as Miguel and Tulio. Both characters made the movie incredibly fun. The characters are experienced con artists who have well rehearsed "arguments" to distract people who catch on to their ruses, which get them out of trouble. They do this a couple of times in the movie, resulting in staged fist fights, slapping, and sword play which ultimately gives them a means of escaping. These moments are terrifically charming, and they make me wonder if Kline and Branagh were improvising these lines only to have them animated later on. I wouldn't put it past them, since both actors are very skilled and they seem to bounce off of each other magnificently; those scenes do have an improvised comedy quality to them. The characters felt a bit thin, but the actors did a remarkable job working with what they had to make them lovable.

The animation in The Road to El Dorado was pretty great. It's 2D cell animation, which was becoming a rarity then and is even more so now. The well- executed animation in this film gave it a classic feel that is a delight to watch. I remembered there being CGI monster toward the end that Tzekel-Kan had summoned, but as it turned out I was remembering it wrong; it's just a really well animated hand drawing. The animation does some creative things with the lighting and took some interesting creative liberties during some musical numbers. I can't say anything new or innovative was used in terms of the animation, but what it does is some solid, classic 2D cell animation.

It's quite annoying when an animated feature thinks it needs to include a musical number for every single bit of plot development. Yes, musical numbers can be great, but too much of them is overkill and can weaken the overall quality of the movie. The Road to El Dorado teeters on the edge of too much. The music was provided by Tim Rice, who did the musical numbers for Disney classics such as Aladdin and Beauty and the Beast, as well as Elton John, who provided the music for The Lion King. The music and songs in El Dorado are great, but their incorporation into the movie seemed awkward at times and unnecessary at other times. Most of the music was used to fill in a lack of dialogue during several montages. Few occasions had characters actually singing about something to move the plot forward, and when it did, it felt forced. The music was good, but the implementation didn't feel right, almost as if the producers felt an obligation to include songs for the sake of entertaining kids when the moment in the movie would have been fine without it.

The story in The Road to El Dorado wasn't exactly boring, but it was predictable. In other hands, the story might have centered more on Cortés, whose ship catches up to Tulio and Miguel in the New World. But this is a story of two pals who get caught up in events beyond their comprehension after being mistaken for gods. The story ultimately recycles a lot from The Man Who Would Be King; one likes being a god, the other doesn't. They intend to get away with as much gold as possible, but end up loving the people and try to defend them from harm from within and without the city of El Dorado. The story simply doesn't do a whole lot that you can't see coming from a ways off.

On the plus side the story doesn't suffer from one towering central figure who gets all the screen time (like many Disney animated feature films do). This liberates The Road to El Dorado for goofiness. There aren't any serious themes lurking about or uplifting lessons to learn. It's just a couple of con men in over their heads and their gal pal and a horse that sometimes is smarter than the other three put together. Since the horse doesn't speak, it's able to exploit the miming gifts of the animators. There is a moment where the two heroes and their horse are in a rowboat somewhere in the ocean off Central America. It looks like the end. Then a seabird appears, circles and lands on their boat. This is a good omen. Land must be near. Then the bird drops dead. Bad sign. Then a shark leaps out of the sea and snaps up the bird in one gulp. Piling gag on top of gag is the strategy of the film, not unlike The Emperor's New Groove. It's here for laughs, not to be profound. The movie doesn't take itself too seriously and we shouldn't either. That being said, the less you know about history, the better your chances of enjoying this movie.

The Road to El Dorado is a fun, light hearted romp of a movie that the whole family could enjoy. Most of the characters are flat, but they are in the hands of some fantastic actors who make their characters loveable. The story is hardly profound, deep, or innovative, but it isn't trying to be. It's just here to entertain and create a few laughs. It's a decent enough movie, but I would have thought it would have been forgotten eventually if not for the fact that humorous internet memes keep popping up here and there. It's a fun movie to look up and watch every once a blue moon or so, but unless you have kids that really love this sort of movie, it's probably not worth owning.

The Road to El Dorado took a number of creative liberties in their interpretation of historical events in order to tell a fun story. What are some other ridiculously misrepresented historical events depicted in movies in the effort to tell a fun story? There are good ones out there, right? Comment below and let me know!

The Emperor's New Groove Review

Disney is responsible for some of cinema's most incredible features in history. They pretty much wrote the book on animated movies. Disney is also responsible for some of the most deplorable rubbish imaginable that ever hit the direct-to-DVD shelves. An oft overlooked animated movie they did remarkably well on was The Emperor's New Groove (2000). It was unlike many of its predecessors in that it wasn't an epic drama, it was a full length slapstick silly movie that the legendary Chuck Jones, director old of the Loony Tunes shorts, would have been proud of. This great and fantastic film puts me in stitches every time I see it!

Vain and cocky Emperor Kuzco (David Spade) is a very busy man. Besides maintaining his "groove," and firing his suspicious administrator, Yzma (Eartha Kitt);he's also planning to build a new water park just for himself for his birthday. However, this means destroying one of the villages in his kingdom. Meanwhile, Yzma is hatching a plan to get revenge and usurp the throne. But, in a botched assassination, courtesy of Yzma's right-hand man, Kronk (Patrick Warburton), Kuzco is magically transformed into a llama. Now, Kuzco finds himself the property of Pacha (John Goodman), a lowly llama herder whose home is ground zero for the water park. Upon discovering the llama's true self, Pacha offers to help resolve the Emperor's problem and regain his throne, only if Kuzco promises to move his water park. Kuzco's perfect world becomes a perfect mess as this unlikely duo deal with hair-raising dangers and wild comic predicaments as they race to return Kuzco to the throne before Yzma tracks them down and finishes him off.

Believe it or not, The Emperor's New Groove started out as another epic as per Disney's usual standards. It was going to be called "Kingdom of the Sun" set in the ancient Incan world and feature a selfish emperor who finds a peasant who looks just like him along the lines of Mark Twain's archtypal novel The Prince and the Pauper. However, the evil witch has plans to summon the evil god Supai and capture the sun so that she may retain her youth forever. She turns the emperor into a llama and threatens to reveal the pauper's identity unless he obeys her. The emperor-llama learns humility in his new form and even comes to love a female llama-herder; and the two set out to undo the witch's plans. It would have delved into Incan spirituality and culture and been a romantic comedy musical in the traditional Disney style.

I think this sounds like a fascinating story! But following the underwhelming box office performances of Pocahontas and The Hunchback of Notre Dame, studio executives felt the project was growing too ambitious and serious for audiences and needed more comedy. The project was pulled and put on hiatus for a number of years, then had the script completely rewritten, the actors recast, the whole thing went in a completely different direction, and had a new title slapped onto it. It resulted in a very light hearted cartoonish romp that had above average animation for its day. The Emperor's New Groove certainly doesn't aim high or strain too hard; it is completely at ease inhabiting it's pretty miniature realm.

The two things that make this movie so utterly fantastic are the voice actors and the animation. There is a brilliant all star cast here, and all of them have experience with comedy. David Spade plays a fantastic sarcastic short guy. John Goodman is a quintessential bighearted teddy bear. Eartha Kitt can be so zany and expressive that everything she says is a hoot. Patrick Warburton has a distinctive voice, and often plays a surly tough guy or a very dim-witted one. Warburton had roles in television shows before The Emperor's New Groove, but he was such a lovable and hilarious part of this movie that every time I have heard his voice after seeing it, I instantly get excited and say, "It's Kronk!" Everyone gets hilarious lines in this movie and no one outshines anyone else; they are all at the top of their game here and it is simply amazing.

The animation is classic 2-D hand drawn cell animation and it's pretty solid. The art has a simple color scheme and doesn't focus too much on shading. This gives a Saturday morning cartoon quality to it. The backgrounds look more detailed than the characters do and there's lots of pretty designs to see. The spastic way the characters are drawn and animated, couples beautifully with the voice actors' performances. Nearly everything they do, both grand and subtle, are funny. Everything from casual exchanges of dialogue to the screwball action is uproarious, thanks to some skilled animators and talented voice actors.

I dare say that Yzma and Kronk steal the show in every scene they are in; they've got to be some of the best, albeit funniest, Disney villains ever. At first Yzma's plan to kill Kuzco is to transform him into a flea, put him into a box, mail the box to herself, and then smash it with a hammer. But then decides poisoning him would be better and save on postage. Kronk keeps forgetting the plan, gets distracted making spinach puffs, and is anything but subtle when Yzma reminds him of their objective. The scene that always gets me is when Yzma and Kronk suspect Pacha of hiding Kuzco and try to search Pacha's home only to be foiled by Pacha's very pregnant wife and two rambunctious prankster little kids. Every time I see this scene I end up literally rolling on the floor laughing out loud and have to pause the movie until I can catch my breath.

While it is unfortunate that the original movie had a complete overhaul and was entirely changed around, the resulting movie is animated comedy gold. The Emperor's New Groove is absolutely uproarious and highly entertaining. The animation is fantastic and reminds me of classic Saturday morning cartoon shows, the voice actors are absolutely brilliant, and the resulting characters are some of the most lovable Disney creations I can think of. The plot is very simple, but that's okay. It may be light hearted, but it's so much fun to watch. The Emperor's New Groove is an outstanding Disney movie that seems to be overlooked these days. It is absolutely worth the cost of a copy to add to your home collection, but as of writing it is available on Netflix streaming. If you haven't seen this movie, you're missing out on a lot of laughs.

Is there an oft overlooked Disney movie that you are particularly fond of? Comment below and tell me all about it!