Big Hero 6 Review

Disney's latest animated feature film is the first one I can think of that features super heroes. I suppose this shouldn't be much of a surprise, since Disney bought Marvel back in 2009 and has been making tons of money with their Marvel Super Hero/Avengers movies. They have been championing Big Hero 6 (2014) as being from the creators of Frozen and Wreck-It Ralph, and those are some pretty good titles to compare to their new release. Does their first animated Marvel super hero feature hold up?

Hiro Hamada (Ryan Potter) is a fourteen-year-old robotics genius who lives in the futuristic city of San Fransokyo, and spends his time participating in back-alley robot fights. Hiro is learning to harness his genius, thanks to his brilliant brother Tadashi (Daniel Henney) and his like-minded friends; adrenaline junkie Go Go Tamago (Jamie Chung), neatnik Wasabi (Damon Wayans Jr.), chemistry whiz Honey Lemon (Genesis Rodriguez), and fanboy Fred (T.J. Miller). When a devastating turn of events catapults them into the midst of a dangerous plot unfolding in the streets of San Fransokyo, Hiro turns to his closest companion, a medical robot prototype created by Tadashi called Baymax (Scott Adsit). Hiro transforms the group into a band of high-tech heroes determined to solve the mystery.

I didn't know it at the time I saw the previews, but after Big Hero 6 hit theaters everyone started talking about how it's based on a Marvel miniseries. The team of heroes called Big Hero 6 are fairly obscure within the Marvel universe, but have had their own miniseries of comics. Spider-Man has called upon Big Hero 6 to help him fight Doctor Octopus, and for a time Wolverine's enemy, the Silver Samurai, was a member of Big Hero 6. Since this is technically a Marvel movie, you should stick around for a traditional post-credits scene, and watch for the king of cameos to make an appearance.

The characters in Big Hero 6 were adorable to say the least. I have no idea how they measure up to original comics, but I like the ones that were depicted in the movie. I said in my Real Steel review that child prodigy characters are very unrealistic and often indicators of bad writing. Hiro occasionally pushes credibility here, but he is still a kid; he's got the attention span, emotional maturity, inflated confidence, and insecurities of any adolescent, and these are incorporated into his character beautifully. Sure he's got a well-above-average skills with robotics, but he's still just a kid and the movie doesn't forget that.

Tadashi acts as more of a role model for Hiro than an actual mentor. Hiro has to learn some pretty tough lessons on his own. At one point, Hiro's desire for justice goes overboard and he makes some very serious mistakes, but he still didn't have a mentor to teach him what to learn from his mistake. I thought this was a particularly interesting bit of character development since Hiro had no one to help him figure out what to do with the experiences, and yet we still see him learn and mature as a young man and as a hero.

The other major character is Baymax. There is nothing about this character that isn't superbly lovable. The way he moves, talks, and interacts with the world around him is absolutely adorable. He resembles a semi-inflated balloon and looks so huggable. There were several clusters of small kids in the theater when I saw Big Hero 6, and nearly every time Baymax did anything at all there was an eruption of giggles from them. Baymax offers a compassionate and healing voice for those suffering, and a hug that can be felt through the screen. He sells the movie; it wouldn't have been nearly as fun without this irresistible blob of a roly-poly robot charisma. 

Big Hero 6 is a PG animated Disney movie and was chockfull of physical gags, funny characters, and silly jokes. There's also a lot of exciting super hero action and villain combat. There are also lots of hugs and love. It also features the kind of stellar animation we've come to expect from Disney. Big Hero 6 combines Disney wonder and charm with Marvel awe and action to deliver a movie that exhibits the best of both studios. While the action is good, it's the central character's heart that is the real appeal. Big Hero 6 has got something for everyone; there's a lot to enjoy in this movie. Kids will love the fun characters and silly stunts, older viewers will appreciate the action and animation, and everyone will love the heartfelt, genuine emotion these characters exude. I recommend seeing Big Hero 6 in theaters if you can. It's worth the ticket price. It's also worth getting a copy of on Blu-Ray when it becomes available.

Here's the trailer so you can get a feel for how Baymax was animated:

So, what do you think about Disney's first animated Marvel movie? I think it's good, but out of sorts with Disney's usual fare. Comment below and tell me what you think!

Iron Man 3 Movie Review

It's no secret that The Avengers was a phenomenal success. It wasn't originally intended, but it was quickly decided upon to do another Avengers movie. But before that can happen, we need another couple of movies to showcase our heroes' having individual adventures before teaming up again. Iron Man 3 (2013) is the first movie of the second string of movies leading up to another Avengers movie.

In light of the alien invasion in New York (in The Avengers), Tony Stark (Robert Downey Jr.) is suffering from panic attacks. To set himself at ease, he has built several dozen new Iron Man suits, which has created some friction with his girlfriend Pepper Potts (Gwyneth Paltrow). Several mysterious bombings have occurred around the country over the last several months which mysteriously leave no forensic evidence. These have been orchestrated by a man calling himself The Mandarin (Ben Kingsley), and the attacks are becoming more intense. Meanwhile a Dr. Aldrich Killian (Guy Pearce) is trying to team up with Stark Industries to perfect a super-soldier bio-chemical solution called Extremis, which should grant super-healing abilities.  After drawing the attention of The Mandarin, Tony Stark's safe world and everything he has is virtually destroyed. Tony's friend, Colonel James Rhodes (Don Cheadle) the former War Machine, now re-branded as the Iron Patriot, is sent on a wild goose chase to find The Mandarin. With his back against the wall, Tony is left to survive by his own devices, relying on his ingenuity and instincts to protect those closest to him.

I'm so glad that Iron Man 3 acknowledges events from The Avengers. In a short amount of time Tony Stark discovered the existence of powerful gods and alien threats as they both descended to attack Earth. Yes, The Avengers did save the day, but having symptoms of PTSD and panic attacks is not an unreasonable reaction to the ordeal. In a desperate moment, Tony pours his heart out to Pepper, "Nothing's been the same since New York. You experience things, and then they're over. I can't sleep, and when I do I have nightmares. Threat is eminent. I have to protect the one thing that I can't live without. That's you." This is simply the next logical step in the character's development, and it's done well.

Iron Man 3 has a darker tone than the previous two. Tony is at a very low point since nearly everything that makes him Iron Man has been taken away. It deals with some very real and sometimes scary issues; terrorist attacks, the impact on the families of the victims, foreboding insecurity, and mental breakdowns to name a few. But at the same time, Tony's character is a narcissist and rather than deal with traumatic or uncomfortable situations, he deflects it with humor. Iron Man 3 is pretty funny. With the dark nature and the comedy, it makes for some strange tonal contrasts. It didn't always fit perfectly, but I think it did work; it never sounded like sloppy writing that was trying to do too many things at once.

There is a HUGE plot twist halfway through the movie. I really want to talk about it, but to avoid spoilers I won't. I will say that it's probably going to irritate hardcore Marvel fans a whole lot. I was always a fan of Spider-Man and X-Men myself, and I have virtually no concept of Iron Man mythos. While it did take my be surprise, I could easily see long-time fans of Iron Man getting immensely bent out of shape by this plot device. Hopefully it won't cause anyone to boycott any future Iron Man movies or anything like that. I still thought the movie was good.

I can't review Iron Man 3 without talking about the effects. It's a special effects intensive movie with lots of CGI work and is so remarkably well done. Most of the mechanical suits are done with CGI. But it's so detailed, moves so naturally, and the lighting is so perfect you'd hardly guess there wasn't a real large metal suit running around. The final fight at the end is amazing. It's full of crazy Iron Man stunts that I never would have expected. It's hard not to cheer Tony on as he dukes it out. 

Iron Man 3 was great. It had logical progressions in character development, a darker tone, lots of laughs, incredible effects, a pretty good story, and some fun references to the other Avengers. That plot twist will throw you for a loop, though; it will make or break the movie for some Marvel fans. I managed to roll with the punches since I had no preconceived notions. Iron Man 3 is worth catching on the big screen and worth getting a copy on Blu-Ray once it's available. Also, make sure you stick around after the credits for a hilarious post-credits scene, as per Marvel movie tradition.

Boromir tells it like it is.

So, we have three Iron Man movies. Technically four, if you include The Avengers. Which one is your favorite? Comment below and tell me why!

Thor Movie Review

Marvel Studios has been making a lot of Super Hero movies over the past couple of years. Hardcore Marvel fans are getting revved up for the Avengers movie; hints of this major crossover movie have been dropped since Iron Man (2008). But possibly the most difficult Avenger to make a movie for would be Thor; he’s not human, he’s a god, most of his story and adventures don’t take place on Earth. Thor is so far removed from these other heroes that doing his story justice would be pretty tricky. Fortunately, 2011’s Thor movie (directed by Kenneth Branagh) pulled it off well.

Many centuries ago, a race of Frost Giants tried to take over Earth. A powerful race called the Asgardians lead by their king, Odin (Anthony Hopkins), thwarted the Frost Giants. These events became Earth’s Norse Mythology. Years later Thor (Chris Hemsworth), the son of Odin is to be made king of Asgard. The Ceremony is interrupted by some Frost Giants in the castle. Thor gathers some friends to retaliate against the Frost Giants’ home world, demanding answers. In doing so, Thor violates a treaty between the Asguardians and the Frost Giants. King Odin puts a stop to Thor’s juvenile, violent tirade and as punishment for Thor’s arrogance and stupidity, banishes Thor to Earth in modern day New Mexico as a mortal, stripped of his powers and strength. Thor, assisted by an astrophysicist college student Jane Foster (Natalie Portman), must try to recover his powers, atone for his mistakes, regain his father’s respect, stop the Frost Giant’s impending attack, and reclaim his place as heir to the throne of Asguard before his manipulative brother Loki (Tom Hiddleston) claims it for himself.

A big obstacle for the writers and film makers of this movie was that a majority of the characters are gods. Things could easily have gone overboard; making the characters so foreign to the audience that they wouldn’t be able to relate to the characters. But even the mortal audience can understand the sibling rivalry between Thor and Loki, being severely humbled, discovering what your limits are, and loosing the respect of someone you admire. Also, you get a sense of what each character is capable of doing or not doing. It was never remotely established that these characters can do anything at all; they do have the powers of gods, but they still remained believable within the context of their world setting.

The special effects and CGI graphics were stunning. Occasionally you get movies that are simply a display of visual effects with a weak storyline stringing them together like in Tron: Legacy(2010). The visual effects in Thor complimented the storyline so well that they simply blended together. Asgard was nearly completely done in CGI; it was pretty and sold the idea that here magic and science truly are the same, as Thor describes it. Traveling between worlds via the Bifröst was a colorful spectacle that was awesome to see, but still held to the movie’s color scheme and helped establish the power of the Asgardians.

The pacing of the movie was done well. The prologue, narrated by Odin, seemed a little bit rushed; similar to the opening prologue to The Lord of the Rings (2001). There was a lot of back-story to establish but it was important to the main events, and had they revealed the back story slowly over the span of the movie it wouldn’t have set up the main plot as well. It was important for the audience to be on the same page that Thor was from the beginning. During part of Thor’s duration on Earth the pacing slows down. But this, coupled with the far reaching expanses of desert, establishes the feeling of despair and of being lost. Aside from these two points in the movie, the pacing is fairly consistent and keeps the audience interested without allowing them to fall behind.

Thor was a well done film that was enjoyable to watch. Marvel fans will enjoy seeing it. Even those new to these Marvel characters will enjoy this film. Between Thor’s endearing dialogue, the stunning visual effects, and fun characters, Thor is certainly worth watching or adding to your home movie collection.

Who is your favorite superhero from The Avengers lineup? Comment below and tell me why!

X-Men Origins: Wolverine Movie Review

In general, sequels usually are not as good as the original movie, but they aren’t always bad. Prequels, however, are consistently horrendous; often tarnishing the original movie and characters. X-Men Origins: Wolverine (2009) is no different.

In 1845 Canada, young James Howlett (Hugh Jackman) sees his father killed by groundskeeper Thomas Logan. The trauma activates the boy's mutation: bone claws protrude from James' hands, and he kills Thomas, who reveals with his dying breath to be James' real father. James flees into the forest along with Thomas's son Victor Creed (Liev Schrieber), who is thus James' brother. They spend the next century as soldiers in the American Civil War, both World Wars, and the Vietnam War. Major William Stryker (Danny Huston) offers the two of them a position in Team X, a group of mutant special operatives. But James leaves because of the questionable actions and disregard for life. Years later, James now goes by Logan and lives in Canada as with his girlfriend, Kayla Silverfox (Lynn Collins). Colonel Stryker appears to warn Logan that someone is killing members of Team X. Shortly after, Victor murders Kayla and attacks Logan. Stryker offers Logan a way to beat Victor; an experimental procedure that would reinforce his skeleton with adamantium, a virtually indestructible metal. Logan asks for new dog tags that read “Wolverine” after a story Kayla had told him. After the procedure, Logan overhears Stryker ordering Logan’s memory to be erased. Logan violently fights his way out, and learns about Stryker’s elaborate plot to combine the powers of several mutants into one: Weapon XI, the Mutant Killer.

The story in X-Men Origins: Wolverine really seems haphazardly thrown together in an attempt to maintain interest in X-Men film series. The story was rushed; they threw in lots of well known comic book characters but didn’t give them enough screen time to allow any of them to develop into the interesting characters that they are. I was most upset about Remy “Gambit” LaBeau (Taylor Kitsch). Gambit was always a favorite of mine; like most of the other characters, he shows up for a little bit delivers a few lines and shows off some mutant powers and that’s it. One of Gambit’s more endearing traits is his thick Cajun accent, which is scarcely detectable in this movie. It just so happens that Gambit owns and knows how to fly an airplane to transport Wolverine to Stryker’s hide out; that never occurred in the comic books. It’s almost like after the story was written, they then stuck iconic Marvel characters in wherever it was convenient, regardless of how illogical it would be for the previously established characters. It’s just poor writing.

It was neat to learn about where Wolverine came from, but it removes the intriguing mystery behind the character. Wolverine is one of the more popular X-Men characters, and there really is no one that could play him like Hugh Jackman, who is perfect for the role! Wolverine’s ability to heal from anything makes him the perfect action hero, and the action in this movie is over the top and fun. Having an invulnerable character as the main protagonist brings to mind tank-like action heroes of the early 1980’s; fun but uninteresting. I’d hate to think this movie has essentially thrown Wolverine away, but there’s not much left that can be done with him. It would have been much better to have Wolverine go on a quest to find out all the details of his past (since in the original movies he has amnesia), and see how these revelations change him as a character and how he grows from it. Starting over from the very beginning and encountering token cameos from other popular characters doesn’t do the franchise or characters any favors.

If you’re an X-Men fan, I do not recommend watching X-Men Origins: Wolverine. It’s a weak attempt to keep the franchise alive and will leave you upset with what they did to your favorite characters. The only reason to watch it is to see Hugh Jackman be Wolverine some more. If you aren’t a fan, it will just leave you confused and annoyed. Just stick with the first two X-Men movies.

Movie Review: Captain America: The First Avenger

Marvel Studios has been busy as a bee since 2008, introducing a variety of Super Hero characters. Each character has their own movie, and some even have multiple movies. We have two Iron Man movies, a Hulk movie, a Thor movie, and Nick Fury (Samuel L. Jackson) has appeared in all of these movies to varying degrees. There’s even a third Iron Man and a second Thor movie in the works. Any comic book geek with knowledge of the Marvel universe could see what was coming after the post-credits scene in Iron Man (2008).  Nick Fury showed up telling Tony Stark (Iron Man) that he’s not the world’s only super hero and wanted to discuss the "Avenger Initiative". The last of The Avengers team that hadn’t shown up yet was Captain America. I didn’t think Captain America’s story would be hard to do, but it might be tricky to do well. But after seeing how well a Norse god became relatable, I felt confident and ready to see Captain America: The First Avenger (2011).

The year is 1942; World War II is in full swing and the United States has entered the fray. Thousands of young men are volunteering to join the army to serve their country. One among them is Steve Rogers (Chris Evans), a short, ninety-five pound asthmatic with a heart of gold who has just been rejected yet again for military service. Rogers’ life changes dramatically after encountering Dr. Abraham Erskine (Stanley Tucci) at a recruitment center. Dr. Erskine is impressed with Rogers and recruits him for the top secret “Project Rebirth.” After proving his extraordinary courage, intellect, and morals, Rogers undergoes a Super Soldier experiment conducted by Dr. Erskine and Howard Stark (Dominic Cooper) that transforms his weak frame into a body at the peak of human strength and potential. Dr. Erskine is immediately assassinated by an agent of Nazi Germany’s secret research department, HYDRA, which is operated by Johann Schmidt, also known as The Red Skull (Hugo Weaving). Schmidt has been using an object of remarkable power called the “tesseract,” believed to have come from the Norse God Odin’s throne room, to create space age weapons and supply Nazi Germany with an unlimited energy-source for world domination. Rogers is deemed too valuable to be put on the front lines and is misused initially as a propaganda mascot. However, when his comrades who had previously enlisted need his help, Rogers springs into action to aid them and truly becomes Captain America, the hero, not just the symbol. This is where Captain America’s war against the Red Skull truly begins.

My biggest concern with this movie was that the character Captain America would be portrayed as a gung-ho, pro-America, nationalist, which seems to be the extent of modern day patriotism. Thankfully, this was not so. Captain America: The First Avenger (directed by Joe Johnston) has something to say about patriotism and where the true strength of America lies. This aspect of the character and plot was not played up quite as much as I was expecting, but it was not belittled or avoided as I had feared. Steve Rogers did not join the military out of a sense of vengeance or bravado as many of his comrades had. He joined out of a sense of justice and a desire to protect the oppressed. This was depicted in an exchange between pre-Super Soldier Rogers and Dr. Erskine. Erskine asks, “Do you want to kill Nazis?” to which Rogers replies without hesitation, “I don't want to kill anybody. I don't like bullies; I don't care where they're from.”

We’re shown the other side of war where patriotism can be used as propaganda. Initially Steve Rogers is given a rather eccentric costume after the Super Soldier experiment so that he can help promote the war and sell it to the American public. He is given an embarrassingly simple script to recite about buying war bonds while a line of dancing women are singing pro-America jingles. This ends badly with Captain America throwing a fake punch at a stage actor portraying Adolf Hitler. Rogers is clearly uncomfortable with this and desires to take a more active and useful role in stopping the Nazi bullies. This really is the type of simplified gung-ho nationalist-like patriotism that the character Captain America is not about and I appreciated that they made this distinction in the movie.

In most movies, especially superhero movies, they spare no time in having the newly empowered hero confront the villain and dive headlong into the action scenes. Not so in this movie.Captain America: The First Avenger really spends time developing the Captain America character. This really is an origin story that develops the character at his heart; the movie is more character driven than action driven. There is an action “montage” rather than lots of fighting scenes. This was used to depict Captain America’s multiple successes and shield-smacking victories before getting into the bigger, more plot-specific battles. But don’t worry; when the action arrives it’s really good; I was on the edge of my seat for many of the scenes. There were even a couple of moments during the action scenes that were unexpected and a bit shocking, such as a henchmen meeting a grotesque demise by a propeller.

All the characters were fun and well developed. Steve Rogers’ flame, Peggy Carter (Hayley Atwell), was interesting, pretty, confident, and independent. Colonel Chester Phillips (Tommy Lee Jones) was gruff, practical, logical, and helped push Rogers’ to his best potential. Howard Stark (who is the father of the not yet born Tony Stark; Iron Man) is a lady killer, arrogant, creative, and resourceful. All these characters play off of each other really well. No one character is given a bulk of the humorous lines which was a somewhat mediocre device done in Thor (2011).

My only real complaint was the Red Skull. Every good hero needs a good villain; the nastier and more devious the villain, the more interesting the conflict. The Red Skull seemed to be lacking in purpose. He seemed to simply want to take over and destroy the world for the sake of taking over and destroying the world. It was almost as though all the lackluster qualities of a generic throw-away villain were stuffed into what is ordinarily an iconic super villain from the Marvel Comics universe. I have heard Red Skull is supposed to possess a superior intellect and inventive genius, as well as being a highly gifted subversive strategist and political operative. We did see some creative genius as he made ray guns and all manner of sci-fi gadgets with 1940’s technology. But you don’t get a feel for his intellect, political machinations, or strategic plotting. The Red Skull as a character is just about the only major character that seemed flat, generic, and undeveloped. He fills the role of “nasty, ugly villain” quite well, but his depiction in this film just seemed cliché. I can overlook this shortcoming a bit since Captain America is the main focus and there needed to be a struggle over which he could prevail. Such a struggle allows us to see what Captain America is made of and ultimately understand his part in the upcoming Avengers movie.

As opposed to the excruciating Captain America movie that came out in 1990 (trailer here) which, with good reason, no one seems to remember, Captain America: The First Avenger really was a fun movie with a good, fairly solid story. The movie demonstrates the message that patriotism is not about strength. It is about compassion and justice. Patriotism is not about how loud you cheer for your country or how many bad guys you kill. It is about how much you are willing to sacrifice to protect the helpless. Those are real patriotic American values. I enjoyed this movie enough that I intend to get a copy of it on Blu-Ray for my personal collection when it becomes available. This movie will be pretty intense for younger audiences, but it might be worth the effort to show them once they can handle some intense action scenes. Captain America is a hero of good morals and character that would be good to help them model in their own lives.