Showing posts with label Mark Ruffalo. Show all posts
Showing posts with label Mark Ruffalo. Show all posts

Friday, May 15, 2015

The Avengers: Age of Ultron Review

As I understand it, Marvel/Disney was originally considering doing only one superhero team up movie, but after The Avengers broke box office records and became the third highest grossing film, they changed their minds. Following The Avengers we got to keep up with some of our heroes in Iron Man 3, Thor: The Dark World, and Captain America: The Winter Soldier. Finally, with much anticipation, The Avengers: Age of Ultron (2015) was released. While it's an exciting and fun ride, it's not nearly as satisfying as the first Avengers movie.
Now officially fighting as allies, The Avengers - Tony Stark (Robert Downey Jr), Steve Rogers (Chris Evans), Thor (Chris Hemsworth), Bruce Banner (Mark Ruffalo), Natasha Romanoff (Scarlett Johansson), and Clint Barton (Jeremy Renner) - raid a Hydra outpost where Hydra has been experimenting on humans using the scepter previously wielded by Loki. The Avengers encounter two of the experiments; twins Pietro (Aaron Taylor-Johnson) and Wanda Maximoff (Elizabeth Olsen) who possess powers of superhuman speed and psychic powers respectively. Once the scepter is retrieved, Stark and Banner discover an artificial intelligence within the scepter's gem and secretly use it to complete Stark's Ultron global defense program. Unexpectedly, Ultron (James Spader) believes he must eradicate humanity to save Earth. The Ultron A.I. eliminates Stark's A.I, J.A.R.V.I.S. (Paul Bettany), takes control of Starks global defense program, and attacks The Avengers in their headquarters. Building newer mechanical bodies to house himself in, Ultron soon has an army of robots under his control as well as the Maximoff twins. Ultron puts his complex plan into action, but as he systematically exploits the weaknesses of each of The Avengers, the six of them may not be enough to save the world again.
Joss Whedon returns to direct Age of Ultron. He's proved his writing and directing skills many times over. He is particularly proficient in telling stories with multiple characters; it's tricky to tell a good story about more than one or two characters and still give them their own compelling story arch. That was expertly done in the previous Avengers movie. Here, Whedon again allows the very distinct characters their own screen time, lets them have their moment to shine, and lets them bounce off of each other wonderfully.
There are problems with the movie, though, and I'm not confident that it is Whedon's fault. I can tell studio executives got their hands on things a lot, effectively limiting and constraining Whedon's creative liberties. It's as if they tinkered with what was probably a much better script to maximize what they thought would make money and draw in audiences, at the expense of what would be a solid, satisfying movie. Iron Man, The Avengers, Guardians of the Galaxy, and Captain America: The Winter Soldier were phenomenal successes because they were left in the hands of competent directors and writers. If future Marvel movies are manipulated by the studio and executives as much as this one is, I can't see the franchise doing as well further down the road.
The movie becomes practically bloated with his huge cast of characters with new allies, enemies, and cameos making appearances. Maria Hill, Nick Fury, War Machine, Peggy Carter, Prof. Selvig, Heimdall, and Falcon all return from previous movies to make appearances to varying degrees. There are even some overt hints at future characters whom we know will be getting their own movies if you know what to look for. Don't get me wrong, it's incredibly exciting to see more Marvel characters make it to the big screen, but it effectively gets to the point that there are too many characters to keep track of. Age of Ultron doesn't rely on previous films to develop the returning characters; they still develop and have their own story arches, but there are so many story arches to keep track of.
Age of Ultron is a long movie with a run time just shy of two and a half hours. As I understand it, it was originally closer to three hours long. You can tell that there were chunks of the movie omitted. After having his mind toyed with by Wanda, Thor decides that he must leave briefly go on a vision quest. We see very little of this quest, none of the actual vision, and are left confused by Thor's sudden change in perspective. This was not a small change as Thor suddenly takes actions against his fellow Avengers, insisting that they trust him. We don't understand Thor's motives here, and it is caused by important scenes being cut from the movie. There are a couple of other times where scenes left on the cutting room floor make the story hard to follow. It's no less exciting and fun to watch, but certainly gets harder to follow and a bit confusing.
One of my favorite scenes was the party following the retrieval of Loki's scepter. Our heroes are socializing, relaxing, and sharing their victory. Thor and Stark quibble about who has the better girlfriend, Romanoff and Banner flirt with one another in a charmingly awkward way, Rhodes/War Machine tries to find an audience to tell his victory stories to, Steve gives relationship advice about waiting too long, and it culminates with various characters trying to lift Thor's hammer. This developed the characters various histories, interests, and personalities wonderfully. But the tone changes drastically when Ultron interrupts, appearing for the first time in a battered mechanical body. He's weak and just learning how to make a body for himself; he resembles a broken, creepy marionette and delivers a disturbing and beautifully written dialogue about how The Avengers are all killers, and he has a mission to bring peace to the world. In spite of its flaws, what the movie does well, it does very well. It may be bloated with many characters, but they are, for the most part, good characters. Even Ultron is an intimidating and menacing villain.
The previous Avengers movie was incredible, and was greater than the sum of its parts. The Avengers: Age of Ultron, frankly, is not. But it still boasts some pretty incredible parts and is one heck of a fun superhero party. There's more superhero action, the story is influenced by the various storylines from all the previous Marvel Cinematic Universe movies all the way back to Iron Man, and boasts some amazing visual effects. It is abundantly clear that the movie suffers from creative constraints imposed by the studio and scenes that were left on the cutting room floor. But there is going to be a three-hour extended cut with an alternate ending available once it hits blue-ray, so maybe that will improve the overall quality by having few scenes left out. This is absolutely worth seeing in the theaters; it may not be as satisfying as the previous film, but it's not one to miss. I also advise watching the phase two Marvel movies I mentioned at the top of this review again to remember where our heroes were before this movie started.

Joss Whedon won't be returning for the third Avengers movie. Do you think another director will do as good a job? Comment below and tell me what you think!

Friday, June 28, 2013

Now You See Me Movie Review

Ocean's Eleven set a pretty high standard for heist movies where the scoundrel robbers manage to stay just a couple of steps ahead of everyone who is pursuing them. Now You See Me (2013) doesn't exceed Ocean's Eleven by any means, but it blends a heist movie with the idea of magic, which leaves us with a pretty creative and interesting movie.
Four street magicians, Atlas (Jesse Eisenberg), McKinney (Woody Harrelson), Reeves (Isla Fisher), and Wilder (Dave Franco) each answer a mysterious summons to an obscure address with secrets inside. A year later they are The Four Horsemen, big time stage illusionists who climax their sold out Las Vegas show by apparently robbing a bank on stage. This puts agents Dylan Rhodes (Mark Ruffalo) of the FBI and Alma Vargas (Mélanie Laurent) of Interpol on the case to find out how they did it. The mystery proves difficult to solve even with the insights of the professional illusion exposer, Thaddeus Bradley (Morgan Freeman). What follows is a bizarre investigation where nothing is what it seems with illusions, dark secrets, and hidden agendas galore as all involved are reminded of the great truth in the puzzle: the closer you look, the less you see.
In the opening scene we see each of the magicians showing off their skills and it really draws the audience in quickly. Atlas is doing a card trick on the streets and asks a young lady to pick any card from a deck while he flips through them himself. For the heck of it I picked a card I saw as the deck passed by the screen. The trick is finished by the selected card's suit and rank appearing in lights on the side of a large building. Interestingly enough, it was the card I picked out as well. That instantly made me think that professional stage magicians were consulted in the making of this movie, and that it wouldn't need a lot of CGI effects to impress the audience. Yes, there was some CGI used, but most of it was used in complex camera work, less so for the "magic tricks."
There is a great cast in Now You See Me. Woody Harrelson is great in most everything he's in. Jesse Eisenberg is a fast talking arrogant dweeb as usual, but he plays that sort of role well. The actors who play The Four Horsemen have distinctive differences in how they act when the characters are on and off stage, which is impressive. You can tell when the character is performing and when they are not, an indicator of good acting. I haven't seen Mark Ruffalo since The Avengers, he's a great Bruce Banner and he's a great FBI agent who is at his wits' end chasing stage performers who seem to possess actual magic abilities. We've even got Michael Caine and Morgan Freeman topping off the ensemble; even when they appear in subpar movies, their mere presence improves the overall quality of the film.
The script is not perfect by any means, but it remains engaging and fun. The dialogue was witty and flowed well. It seemed to think it was a bit deeper than it actually was. Rhodes keeps insisting that magic can't be real, but finds fewer and fewer reasons to believe that it is not. Alma also thinks that everything the Four Horsemen are doing is simply an illusion, but makes statements about how good it is to believe in something. That's nice, but I never really saw where they were trying to go with that idea. While most of the script is pretty good, the ending seems very out of sorts. It's as if the script writer finished writing the climax and kind of threw some random stuff in at the end because there needed to be a conclusion of some kind. You simply don't see the end coming at all. On the one hand, it sort of fits thematically; we're constantly told a magician distracts the audience from what's really happening. But there was next to nothing that even hints at what was "really happening" in the movie and from a film making standpoint, that made the ending seem unjustified, incongruous, and sloppy.
Now You See Me was a clever concept that was really fun to watch. It wasn't great; the script has some flaws, there's a baseless love interest, it doesn't resolve all of the questions it raises, and the ending comes out of nowhere. In spite of that, it has excellent cast, some outstanding visuals that don't rely heavily on CGI, and it coyly plays with the movie viewers. Some of the magic was debunked, but we never know for sure how much of the tricks were illusions or if it was actual magic. It evens out into what a summer movie should be: fun. While it is a fun movie, I'd wait for it on Blu-Ray; it's worth seeing, but not on the big screen. I also recommend seeing it twice. It's the kind of movie that's probably a bit more interesting when you know the end from the beginning.

Here's the trailer for Now You See Me:


What is your favorite heist movie? Comment Below and tell me why!

Friday, May 4, 2012

The Avengers Movie Review

Ever since the post credits scene at the end of Iron Man (2008) where Nick Fury discusses “The Avengers Initiative”, Marvel fans have been anticipating an Avengers movie. There was a five-movie build up to this event, including two Iron Man movies (2008, 2010), The Incredible Hulk (2008), Thor (2010) and Captain America: The First Avenger (2011). Having already built a fandom around these characters, we have high expectations for Joss Whedon’s Superhero mash-up, The Avengers (2012). Even with our expectations set so high, they are still exceeded by this movie.
S.H.I.E.L.D. is a global peacekeeping espionage organization, with  Nick Fury (Samuel L. Jackson) as its director. Exiled Norse god Loki (Tom Hiddleston) infiltrates S.H.I.E.L.D. and steals The Tesseract, and item of immense power that S.H.I.E.L.D. has been protecting. Loki has formed an alien army and will use the limitless power of the Tesseract to open a portal across the galaxy to bring them here and destroy Earth. Fury instigates The Avengers Initiative to gather the superheroes he has contacted over the past several years to help S.H.I.E.L.D.  protect Earth should the world stand in dire need. These heroes include Dr. Bruce Banner (Mark Ruffalo) who can transform into The Hulk; genius billionaire playboy Tony Stark (Robert Downey Jr.) and his mechanical battle suit he which dons to become Iron Man; Steve Rogers (Chris Evans), who is the iconic World War II symbol Captain America; the Norse god Thor (Chris Hemsworth) returns to Earth to aid in stopping his adoptive brother Loki; and two S.H.I.E.L.D. operatives Natasha Romanoff (Scarlett Johansson) codenamed Black Widow and Clint Barton (Jeremy Renner) codenamed Hawkeye.  But The Avengers are divided over how to approach Loki and the revelation that S.H.I.E.L.D. plans to harness the Tesseract to develop weapons. The team of superpowers must overcome their differences and combine forces to stop the immanent global threat.
Traditionally, the term “Epic Film” meant that a movie had a large scale, huge cast, sweeping scope, high budget, and often a run time that exceeds two hours. Some examples include Schindler's List (1993), Ben-Hur (1959), and Saving Private Ryan (1998). Recently, movie studios decided that dividing up an Epic into multiple shorter films makes the franchise last longer and earns the studios more money. That’s part of the reason for The Lord of the Rings to have been divided up into three movies, and the whole reason Quentin Tarantino’s epic Kill Bill (2003, 2004) was divided into two films. The five movies leading up to The Avengers were overlapping stories culminating in this one movie. With the dramatic combination of superpowers and a huge scale, I think it’s arguable that The Avengers and its related films could be considered an Epic by the traditional meaning of the term.
There were a few things I was worried would happen with The Avengers. I was concerned that the movie would rely on the assumption that the viewer has seen the five movies leading up to it and throw our heroes at us without bothering to develop them as characters. I was worried each of these characters were simply going to accept each other and rush off to fight the villain without question. I was also worried that only one or two of our heroes were going to get a bulk of the screen time. That would have been some seriously sloppy writing. I am deliriously happy to say that none of that happened! Joss Whedon co-wrote and directed The Avengers, and he is well known for his multi-character driven stories.
Each of our heroes has dynamic personalities and values; they don’t always see eye to eye, and they don’t trust each other. There’s a three-way fight early on between Iron Man and Thor. Each one exhibits some amazing feats, and even when Captain America tries intervene, you can’t decide who to root for most. Seeing these superheroes fight and their personalities clash makes them all the more interesting. Each character is developed enough for us to be emotionally invested in them; we know what they are capable of, we know what their strengths and weaknesses are, and we want to see them pushed to their limits! We are not left disappointed.
Every good hero needs a good villain; the nastier and more devious the villain, the more interesting the conflict. Loki returns after his defeat in Thor. He wants revenge and he wants to strike Thor where it would hurt the most: by enslaving Earth which Thor has come to love. Once the manipulative Loki sets his plan in motion, you can’t imagine how he could possibly be stopped. He is an outstanding villain who uses power and leverage to get what he wants. When he kills, he makes it meaningful and personal. He lies, manipulates, and is positively cruel to others. You just love to hate this villain, and you want to see him get it in the end.
The Avengers doesn’t shy away from showing us the kind of high end superhero action we want to see. We’re given gorgeously clear action that is over the top and amazing. We are held at the edge of our seat for a lot of the movie. Every character gets some great dialogue and humorous lines. The visual effects are brilliant. There is one scene later on that has a long, sweeping shot where the camera snakes around and over buildings showing us our heroes smack down enemies in their own distinct style in one dynamic swoop. There is so much energy and excitement packed into the camera work, the script, and the characters you can’t help but get caught up in the movie.
To summarize this movie in one word, it is “satisfying.” It shows us what we were expecting to see, and then goes several steps beyond that. You will applaud and cheer for your favorite heroes. You will be captivated by the action. You will be highly satisfied with this movie. There are a couple of minor parts of the story that seemed a bit too easily resolved; but you can forgive it because it pales in comparison to the good qualities in the film. The Avengers is fun, funny, exciting, and so satisfying. You really must see this in the theaters if you’ve ever liked Marvel superheroes or superhero movies at all. It’s an epic movie that you really should be a part of. You don’t necessarily need to see the five movies that built up to The Avengers, but you’d be doing yourself a disservice by missing them. Go see it in theaters as soon as you can, and then buy a copy of it on Blu-ray when it’s available. You can bet I will.

If The Avengers were to assemble again for another movie, what Marvel villain would you love to see them pitted against? Comment below and tell me why!