Showing posts with label M. Night Shyamalan. Show all posts
Showing posts with label M. Night Shyamalan. Show all posts

Tuesday, January 1, 2013

The Last Airbender Movie Review


Nickelodeon Studios has made a handful of movies that were little more than extra episodes of their successful TV shows with a much bigger budget. There are exceptions, of course. Rango for example, was quite good and had nothing to do with the studio's television programs. Avatar: The Last Airbender was one of their more successful and compelling shows that featured an interesting blend of Anime and American cartoon styles. It was character and plot driven, unlike most of their shows which are physical comedy driven. Nickelodeon made a bad move when they thought they needed to make a live-action summary of Avatar: The Last Airbender, then they made another bad move by having M. Night Shyamalan direct it.
The world is divided into four kingdoms, each represented by the elements they harness, and peace has lasted throughout the realms of Water, Air, Earth, and Fire under the supervision of the Avatar, a link to the spirit world and the only being capable of mastering the use of all four elements. When young Avatar Aang (Noah Ringer) disappears, the Fire Nation launches an attack, planning world domination. 100 years pass and Fire Nation has eradicated the Air Nomads and continues to conquer and imprison anyone with the elemental “bending” abilities in the Water Tribe and Earth Kingdom. Then young siblings Katara (Nicola Peltz) and Sokka (Jackson Rathbone) of the Southern Water Tribe find a boy trapped beneath the ice outside their village. Upon rescuing him, he reveals himself to be Aang, the Avatar and last of the Airbenders. Swearing to protect the Avatar, Katara and Sokka journey with him to the Northern Water Tribe to master Waterbending, and eventually fulfill his destiny of restoring peace to the world. But as they go, they must evade prince Zuko (Dev Patel), the exiled son of Lord Ozai, and Fire Nation military leaders.
Nickelodeon had to change the title of the movie to The Last Airbender (2010) so as not to get it confused with James Camron's Avatar movie which came out a few months earlier. I don't understand the reasoning to make this movie. The material was born to be Anime; it needs to be animated. The TV series used bright colors and “clear line” animation style which is used by animation masters and is a pleasure to observe. In contrast, take the X-Men movies for example; a lot of visual changes had to be made, costuming in particular. A lot of the visuals in X-Men looked good in comic books but would look silly in live-action. But The Last Airbender didn't make the necessary changes to keep it from looking silly. The colors seemed out of place and unreal, the costumes looked rather eccentric, and the elemental bending looked silly in a live-action context.
Another problem with The Last Airbender is the pacing. It seems that Shyamalan tried to condense a whole season of half hour episodes into one two-hour movie. Everything seemed incredibly rushed and there wasn't enough time granted to each of the characters to develop them into people we should care about. There were even moments that were described to us in narration rather than shown us. For example, we don't get to see our heroes arrive at the Northern Water Tribe. We're just told through Katara's narration that they got there and that Sokka hit it off with the princess. It would have been nice to see why they hit it off and how they developed a relationship. But, no, we simply see a new character show up from out of nowhere and suddenly has a long standing relationship with a main character we've had since the beginning of the movie. They just tried to get too much in too short a span of time, and it made the movie seem sloppy and rushed.
Given how rushed everything was, it left little time for meaningful dialogue. There was some dialogue here and there that developed the unique setting, but not much else. Even the way the film works so hard to develop the plot is scarcely left enough time to dramatize the characters. One of the more interesting characters is Prince Zuko; he has a tragic history and complex motives. But his dialogue in The Last Airbender was forced and simplistic. Which is a shame since Dev Patel is a really good actor. He was phenomenal in Slumdog Millionaire; he and the rest of the cast had such dry, uninspired material to work with that everyone's acting seemed impeded.
The Last Airbender was completely uncalled for. What little story they crammed into the movie was already done. This movie wasn't even a decent “readers digest version” of the series. Why make this movie? It did nothing new, and did lousy job recreating what was already done. I imagine the only ones who would appreciate The Last Airbender are young fans of the series who want to see more familiar images. I did appreciate the reluctant hero struggling with his responsibilities, but the sparse good qualities are completely overshadowed by the bad ones. DO NOT WATCH THIS MOVIE, though I do strongly recommend watching the TV series itself; it's very good.

What's your favorite Nickelodeon movie? Why do you like it so much? Comment below and tell me why!

Friday, May 25, 2012

The Village Movie Review

In most cases, directors go from bad or mediocre films to good films as they progress in their career. M. Night Shyamalan seems to have managed to do the opposite. He gained renown with The Sixth Sense (1999), but his movies started to fizzle out with Signs (2002). He really began to lose credibility with audiences after The Happening (2008). When The Village (2004) was released, we still had high expectations, but it was with The Village that he really started to disappoint.
There is a small village of about 60 puritans in rural Pennsylvania. For the most part these puritan settlers live a quiet and peaceful life, but fear the terrible creatures that lurk just outside the borders of the village. The villagers have reached an agreement with these beasts in which each side allowed to go about their business as long as neither one crosses the village’s boundaries.  This delicate balance is upset when a young man, Lucius Hunt (Joaquin Pheonix), ventures into the forest to see what lies beyond the borders. Animal carcasses, stripped of their fur, being to appear around the village, causing the council of elders to fear for the safety of the village, the agreement with the creatures, and more. After Lucius gets injured, the village patriarch, Edward Walker (William Hurt), sends his daughter Ivy (Bryce Dallas Howard) through the woods to retrieve medicine from the outside towns. Ivy is blind and cannot tell where she is going or where the prowling creatures might be.
All the characters in this movie are pretty flat and uninteresting. They don’t develop, they aren’t deep, and they are remarkably reserved. It’s almost as if the puritan qualities of simplicity and humility are over insinuated upon the characters to the point that they are scarcely even one-dimensional. Everyone gets along with such ease that they end up feeling unrealistic. The characters (and the tone of the movie itself) are so somber that they almost seem afraid to make the audience aware of their presence.
The best part of The Village is when we are focused on Ivy. About halfway through the movie, Ivy becomes the central figure; she gets to learn about some of the village secrets and she stumbles around in the woods, completely blind. To put the viewer on the same level as Ivy, we see her hand stretched forth to the edge of the screen as she tries to feel her way around. When she comes across something, she feels it with her hand and then it comes into full view on the screen only after Ivy figures out what it is. We are shown shots of the front of Ivy’s feet as she walks through the unfamiliar forest; we (like Ivy) cannot see where she is going or what obstacles may be in her way. Not only is this a brilliant way to visually depict the world through Ivy’s perspective, it also intensifies the sense of being completely lost in the woods and amps up the suspense.
M. Night Shyamalan is known for his twist endings. Generally, a good twist ending blows your mind as you realize all the subtle little things previously in the movie all add up to a big surprise at the end. The twist in The Village was completely out of the blue. There was no logical build up to it, no hints leading up to it, and no subtle clues to take into account. It’s established that there are secrets in the village, but when we see the big secret it’s just too out of place with the story, and even the setting, such that that it’s impossible to swallow.
The Village was the movie that caused M. Night Shyamalan’s credibility as a director and writer to take a significant downswing. The story is pretty forgettable. In fact the only thing that seems to stick out in people’s minds even years after seeing it is how unjustified the ending was and how disconcerted it made them feel. The only redeeming value is the creative camera work while the blind girl stumbles around in the woods. If you haven’t seen The Village, you’re only really missing out on a disappointing product of a formerly good writer and director. If you did see The Village years ago, you probably only remember how non-sequitur the conclusion was. This movie is “okay” at best, but isn’t really worth going out of your way to see.

What did you think of The Village? Did it have some endearing qualities? Did you think the twist ending was acceptable? Comment below and tell me why!