Several
years ago Harold and Maude (1971) was
recommended to me as a cult classic. I'm usually up to snuff on my cult
classics, but I honestly had never heard of it. I put it on my movie
list, but hadn't got around to watching it until recently. Now I can't
imagine why it's not more widely known.
Self-destructive
and needy, but wealthy, seventeen-year-old Harold (Bud Cort) is obsessed with
death. He spends his leisure time attending funerals, watching demolition of
buildings, visiting junkyards, having sessions with his psychologist, and
simulating suicides to try to get the attention of his indifferent, snobbish,
and egocentric mother (Vivian Pickles). When Harold meets the anarchic
seventy-nine-year-old Maude (Ruth Gordon) at a funeral, they become friends and
the old lady discloses other perspectives of the cycle of life to him.
Meanwhile, Harold's mother enlists him in a dating service and tries to force
him to join the army. As Harold and Maude's friendship grows, he finds the
truth about her life as it begins to draw to a close.
This
movie is categorized as a romantic comedy. I really don't see how this is a
romantic movie at all; romance is about two people sharing a mutual love and
admiration for one another. The relationship in Harold and Maude was about these two fairly unique characters
sharing a mutual love and contentment for life itself. The comedy element is
certainly there, and more often than not it's rather dark. The scenes where
Harold stages fake suicides are funny but bleak. There are other scenes that
are more lighthearted, but the overall tone of the movie is dark. Having said
that, the movie is rated PG. As I detailed in my review of The
Jerk, the PG-13 rating didn't exist before 1984. Given the dark comedy and
the faked suicide scenes, I think it would qualify for a tame PG-13. It's not
graphic, but it's tonally dark sometimes, and probably not something to watch
with small kids in the room.
I
simply adored the themes in Harold and
Maude. Harold embodied nihilism; he believes that all values are baseless
and that nothing can be known or communicated. Existentially, he is without meaning.
This was very typical of the doomed outlook of the alienated youth of the era
during which this movie was released. Maude embodied a purpose driven life full
of optimism having overcome some truly hard times in her past. The two
characters are therefore at different points on the same path. Harold is part
of a society in which he has no importance. Maude has survived and lives a life
with meaning and deliberate choice. It's easy to get drawn into philosophical
analysis here, but suffice it to say that it's well implemented and will make
you think about life.
The
humor is certainly amusing. Easily my favorite scene is when Harold's mother is
filling out the information form for the dating service she is signing Harold
up for. She's answering all the questions they way she would answer them. She
asks Harold how he would answer, but doesn't bother to wait for his input. She
indicates that Harold is in favor of capital punishment, thinks women should
run for presidential office, and that he has head and back pains after a
stressful day. Meanwhile, Harold is loading a handgun and aiming it at himself.
His mother takes no notice, until Harold apparently shoots himself. She doesn't
even look up and snaps, "Harold! Please!" and calmly continues with
the questionnaire. The humor ranges from
dry, to dark, to silly, to ironic. It ends up being pretty funny overall.
Harold and Maude was an
excellent movie. It's funny, it's interesting, it's dark, and it will make you
want to go live life to its fullest. The characters are unique, the script is
well written, and the story is fun. It's not perfect, though. The visual style
makes everyone look fresh from a wax museum, and the camera work is anything
but inspiring. While the characters and story have aged beautifully and are
still relatable today, the 1970's cars and fashions have not. Nevertheless, Harold and Maude is a good movie that is
worth seeing if you aren't put off by the dark humor. It was a box office bomb
in its day, later developed a cult following, and finally started earning a
profit in 1983. It's now a cult classic, and I may consider getting a copy of
this for my personal collection.
What's the oldest cult classic movie that you enjoy watching? Comment below and tell me about it!
If the 1929 Metropolis counts as a Cult Classic, you can't get a lot older than that. It was amazing. - Super Dad
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