X-Men: Days of Future Past Review

The X-Men film franchise has possibly been the longest running superhero film series after The Marvel Cinematic Universe which comprises all the movies surrounding The Avengers. X-Men: Days of Future Past (2014) acts as a sequel to both X-Men: The Last Stand and X-Men: First Class, it's the seventh X-Men movie, and ties the original trilogy and prequel together beautifully. It's also the best film in the franchise in my opinion!

Sentinels, robots that were created for the purpose of hunting down mutants, were released in 1973. 50 years later the Sentinels would also hunt humans who aid mutants. Charles Xavier (Patrick Stewart) and his X-Men try their best to deal with the Sentinels but the modern robots they face are able to adapt and deal with all mutant abilities. Xavier decides to go back in time to change things. He asks Kitty Pryde (Ellen Page), who can send a person's consciousness into the person's past, to send him back, but she can only send someone back a few weeks because if she sends someone back further it could harm them. So Logan (Hugh Jackman) decides to go back himself because his healing powers might be able to withstand it. Xavier tells Logan that Mystique (Jennifer Lawrence) is responsible for the Sentinels' adaptive powers. When she learned about the Sentinels, she sought out and killed Bollivar Trask (Peter Dinklage), the man who created them. Xavier also tells Logan that Mystique would be caught and studied, and her shape-shifting abilities would be added to the Sentinels, thus granting them the ability to adapt. Logan must go to the younger Charles Xavier (James McAvoy) and ask him to help; the problem is that Xavier was despondent at the time and was taking a drug which allows him to walk but takes away his powers. Logan is asked to find young Magneto (Michael Fassbender) and enlist his help also to prevent the Sentinels from ever being created.

Days of Future Past has a huge cast. A lot of actors return to reprise their roles from other films in the franchise, some as main characters and others as brief cameos. We also get a lot of new faces, too. Peter Dinklage is a actor born with achondroplasia, a common form of dwarfism, and is known for his role as Tyrion Lannister in HBO's Game of Thrones series. In Days of Future Past, he's the main antagonist, and is a business man through and through. He sees a potential to market something and is literally creating a threat out of mutants, who are virtually unheard of in the 1970's. He has no real hatred of mutants himself; he's just trying to market a product and goes to several countries' governments trying to sell his robots. I don't recall the original Trask having dwarfism, but Dinklage plays the role beautifully.

Another new face is Evan Peters as Quicksilver. This is a different actor portraying the same character we saw in the post-credits scene in Captian America: The Winter Soldier. Disney owns the Marvel Cinematic Universe while Fox owns the rights to X-Men, so these two versions of Quicksilver are not actually connected to each other. I wish Quicksilver was in the movie more; he was a really fun character. He can think and move at supersonic speeds, and is annoyed that nothing else moves at the same speed he does. The way he uses his powers is remarkable and creative, and he provides some comic relief to the movie.

The special effects in Days of Future Past were phenomenal. The 1970's Sentinels looked a lot like how a big robot from the 70's would look, while the future Sentinels were downright terrifying. In fact, future Sentinels were possibly some of the scariest movie killer robots I can think of; easily on par with the Sentinels from The Matrix series or the T-800 from The Terminator. The action scenes were fantastic, though a couple scenes with the future Sentinels were pretty violent. Had some shots lasted a little longer or if they had been much more graphic, the movie could have received an R rating. It did not, of course, but they were kind of pushing it. I suppose that dismembering someone made of metal is considered less graphic than dismembering someone made of flesh. Either way, I'd be mindful of the age of any kids you take to see this movie.

Time Travel stories can get really confusing with alternate time lines, paradoxical dichotomies, and questioning determinism and free will. This one is actually pretty straight forward. That's not to say the story is simple, it just doesn't become needlessly complex due to the time travel element. Having said that, there are a couple of continuity errors between this and other X-Men movies. This is such a good and solid movie that I have decided to believe that those continuity errors were put in place for the sole purpose of correcting really bad story decisions in previous movies. Days of Future Past is a solid story on its own.

X-Men: Days of Future Past is probably my favorite X-Men movie to date. It ties all the other movies together, tells a really good story, features some excellent acting, interesting characters, and some fun cameos from familiar characters. This is such a satisfying X-Men movie that if they were to end the franchise here, I would have nothing to complain about. They won't be ending the franchise here; stick around for a post-credit teaser. While Days of Future Past is great, it's not a particularly good place to start watching the X-Men movies. Make sure you watch X-Men, X2, X-Men: The Last Stand, X-Men: First Class, and maybe Wolverine before diving into this one. You needn't bother with X-Men Origins: Wolverine, that movie was really terrible and doesn't influence the story line here. I recommend catching Days of Future Past in theaters if you can. It's also worth owning once it hits Blu-Ray.

There are still a lot of X-Men storylines and characters that movies can showcase, what would you like to see in an upcoming X-Men film? Comment below and tell me about it!

The Wolverine Movie Review

So, we've got a 6th X-Men movie out now. The Wolverine (2013) follows the events of the 3rd X-Men installment, X-Men: The Last Stand. X-Men Origins: Wolverine and X-Men: First Class were both prequels. In my review of Origins I said I was worried there wasn't much left that could be done with Wolverine. That said, I was worried that The Wolverine was going to be as weak and shoddily done as Origins. There are times I enjoy being wrong.

Logan, a.k.a. Wolverine (Hugh Jackman), has sworn off violence after he was forced to kill his beloved Gene Grey (Famke Janssen) and is still haunted by her memory. Logan is summoned to Japan by a sword-wielding mutant named Yukio (Rila Fukushima) on behalf of one of Logan's old friends. This friend, Yashida (Hal Yamanouchi), was a Japanese soldier whose life Wolverine saved in during the bombing of Nagasaki in World War II. Yashida is now the head of a powerful technology corporation, and upon his deathbed asks Logan to protect his granddaughter Mariko (Tao Okamato), whom he has personally chosen to take over the family business - much to the chagrin of her plotting father Shingen (Hiroyuki Sanada). The Yakuza, a transnational crime syndicate in Japan, stages a high-profile kidnapping of Mariko during Yashida's funeral and Wolverine comes to her rescue. But Logan finds his mutant healing powers slowly disappearing and the two barely escape with their lives. With the Yakuza, a group of ninjas, and a ruthless mutant named Viper (Svetlana Khodchenkova) hot on their trail, Wolverine may not be able to protect Mariko for long.

Of all the X-Men movies out there, this one is the least X-Men-like. There are only three mutants in the movie, and Yukio has precognitive abilities and can foresee people's deaths. So Wolverine and Viper are the only ones with very "flashy" powers. That said, most of The Wolverine could have simply been a Japanese crime movie. I think that's really interesting; while there are plenty of action scenes, it doesn't have a huge scale and with lots of buildings being destroyed or entire cities and populations at risk. Things don't get comic book-standard over the top until near the end. That's not very common in superhero movies and it brought the story and characters more down to earth.

It's good to see Hugh Jackman return as to this role in a movie that understands the character's inner conflict. Contrary to what was the case in Origins, Wolverine is well developed. With his healing powers that have kept him alive for over a hundred years, disappearing Logan is forced to face his own mortality, what he has done with his life, what his purpose is, and what he might do in the possibly short time that remains. The character becomes rather existential at moments which helps define the character in new and interesting ways. On the other hand, the comic book version of Wolverine was a kind of rage monster. Wolverine was a bit of a softy in the previous films. In The Wolverine we get to see him do a lot more hack 'n slash fight scenes that herald back to the classic Wolverine.

The movie does become a little ridiculous at times; there are lots of crime organization thugs that pop up at every turn, a clan of ninjas whose loyalties and intents are vague, and some fight scenes push credibility at times. There is a fight scene on one of Japan's bullet trains which was highly enjoyable and possibly more creative and fun than the train fight with Doctor Octopus in Spider-Man 2.  Not every scene is particularly good, but the poorer scenes aren't bad and the good scenes are very good.

The Wolverine features some excellent Japanese scenery, suspenseful and fun action scenes, a better than average production, and some interesting characters, some of whom register more powerfully than others. I feel like overall it could have been a little bit better, but it's a far cry better than Origins was. It's worth renting, possibly worth buying if you're collecting the X-Men movies like I am. Make sure you stick around for the mid-credits scene, if you're an X-Men fan, you'll be even more psyched for next year's X-Men: Days of Future Past.

If you've seen The Wolverine or The Last Stand you can probably guess what's coming up in Days of Future Past. What would you like to see happen in the upcoming X-Men movie(s)? Comment below and tell me all about it!

The Help Movie Review

I enjoy watching movies of simpler times, and of romanticized decades of the early-to-mid-1900s. Occasionally I let myself daydream of living in such times. Then I see a movie like The Help (2011) which makes me realize that these “simpler times” were rife with their own sets of problems. These problems are often downplayed or even ignored in movies for the sake of depicting a sense of nostalgia.

During Civil Rights era Mississippi, Eugenia "Skeeter" Phelan (Emma Stone) is a southern society girl who returns from college determined to become a writer. She gets a job writing a cleaning column for her home town’s newspaper, and seeks the advice from one of the local African-American maids. Between observing how the wealthy white families treat their hired help and being told that the nanny who basically raised Skeeter spontaneously moved to Chicago without notice, Skeeter sets out to write a book about the perspective of the black maids and nannies that are so obviously mistreated. She gains the trust of Aibileen Clark (Viola Davis) and later Minny Jackson (Octavia Spencer), a nanny and a maid respectively, and sets about anonymously writing their stories and opinions about working for white people. Skeeter’s perspective on things change and before the story is even sent to the publishers, the whole town has a thing or two to say as they become unwittingly, even unwillingly, caught up in the changing times. The town’s racist, snooty social ringleader Hilly Holbrook (Bryce Dallas Howard) is bent on stopping the stories from becoming public knowledge for the sake of her own reputation and to keep the hired help where she believes their place is.

I’ve reviewed a couple of movies that are set in the 1960’s; Hairspray and X-Men: First Class both depict a fun and exciting vision of the 1960’s. Even Panic in Year Zero had an innocent, Leave It to Beaver sort of quality to it. On one hand, The Help reminds us of the civil rights movement as well as the gross inequality and injustice that were prevalent in the day. But on the other hand, The Help also seems to downplay the pain and widespread suffering of the day, similar to how Hairspray did. The Help is a story about pain, but it seems to avoid actually being painful. Really, we don’t typically go to the movies to see abrasive truths, we like feel-good movies. The Help certainly is a feel good movie with intermittent moments of uncomfortable reality. Still, it takes place in racially segregated Mississippi.

The feel-good quality of The Help doesn’t make it a bad movie, though. It’s well written, and very well acted! The characters were either generic or unique. Hilly isn’t very different from Hairspray’s Velma Von Tussle, and Skeeter is another single girl trying to make it big just like CoyoteUgly’s Violet Sanford. Where the movie really shines is in Aibileen and Minny’s characters. I can’t think of another character that is as downtrodden in quiet sorrow and still shows genuine love for the children under her care like Aibileen. I also can’t think of another character that is as amusingly vindictive and even vengeful towards her own oppressors while still trying to help and teach them the way Minny is. Both Viola Davis and Octavia Spencer stole the show in any scene they happened to be in. They were great!

I couldn’t help but get caught up in the story and become invested in the characters. It was well written and well acted. The sets and costumes were spot on. There was a brief scene in a grocery store. Even it looked like it was taken out of the 1960’s with all the products in 60’s style packaging and everything illuminated with a dull glow from the halogen fixtures above. There was lots of loving detail that went into The Help.

Even though it was a lengthy film at two hours and twenty six minutes, it’s still good. There are some shocking scenes, some funny scenes, touching scenes, and sad scenes. The movie isn’t going to appeal to everyone. You probably won’t enjoy it if you don’t like dramas in general. In spite of good intentions, I felt like some of the characters had subtle bits of racial stereotyping woven in from time to time. It’s subtle, so I didn’t find it terribly offensive. At any rate, I enjoyed The Help. It’s worth seeing if you don’t mind long drama films. It may even be worth buying a copy of should you find it to be entertaining enough. I might do that.

What's your favorite historical movie? Not necessarily a drama; X-Men: First Class was an action movie, after all. Comment below and tell me why!

X-Men: First Class Movie Review

In my review of X-Men Origins: Wolverine (2009), I said that prequels are consistently horrendous.  Again, I find myself withdrawing a previous statement.  Not only was X-Men: First Class (2011) an outstanding prequel, but it was also the second best movie in the X-Men franchise just below X2: X-Men United (2003).

During the Cuban Missle Crisis of 1962, CIA Agent Moira MacTaggert (Rose Byrne) discovers a mutant named Sebastian Shaw (Kevin Bacon) who can absorb any kind of energy and expel it in powerful blasts. Shaw is threatening military leaders to get them to advocate the U.S. installing nuclear missiles in Turkey. MacTaggert convinces the CIA to seek out recently graduated mutant genetics expert Charles Xavier (James McAvoy) and his foster sister Raven (Jennifer Lawrence) to advise them on mutant powers. Both end up being mutants themselves; Charles is a powerful telepath and Raven is a shape-shifter. With his abilities, Charles helps the CIA locate Shaw. During the skirmish Charles rescues Erik Lensherr (Michael Fassbender), another mutant bent on getting revenge on Shaw who killed his mother in a concentration camp in the last World War. Erik can create and manipulate magnetic fields to control metal. Seeing what they are up against with Shaw, the CIA invites Charles, Raven, and Erik to the “Division X” facility where they meet young scientist Hank McCoy (Nicholas Hoult), a prehensile-footed mutant. Hank helps create a mutant-locating device called Cerebro which amplifies Charles’ telepathic range to find and recruit mutants against Shaw. They recruit Angel Salvadore (Zoë Kravitz), taxi driver Armando Muñoz/Darwin (Edi Gathegi), Army prisoner Alex Summers/Havok (Lucas Till), and Sean Cassidy/Banshee (Caleb Landry). Charles and Erik learn that Shaw is in Russia, threatening military officials there to send missiles to Cuba starting a nuclear war to wipe out the humans and leave the mutants reigning over the earth. Charles and Erik start training the misfit group of young mutants to hone their powers so they can help stop Shaw and prevent a global nuclear holocaust.

X-Men in general is about becoming a better person in spite of how society views you. In 1981 Chris Claremont, a writer for the Uncanny X-Men comics said, "The X-Men are hated, feared and despised collectively by humanity for no other reason than that they are mutants. So what we have here, intended or not, is a book that is about racism, bigotry and prejudice." This theme was implemented in the other X-Men movies, but seems to be most prevalent in X-Men: First Class. Good science fiction makes commentary on contemporary issues in a unique, metaphorical way. We like to think that we are tolerant of everyone, but racism, religious antagonism, bullying, and bigotry are still prevalent in most societies. People who are different in any way are often negatively sanctioned for it. Those who are victimized by such antagonism don’t deserve it. Not only does X-Men show us what it’s like for those targeted by bigotry and hate, it also shows us how evil and cowardly we can appear when we demonize those who are different from us, no matter the form it may take.

The writing and dialogue in First Class is studded with gems of wisdom and encouragement. When Charles is trying to help Erik hone his powers Charles tells him, “There's so much more to you than you know, not just pain and anger. There's good in you too, and you can harness all that. You have a power that no one can match, not even me.” Erik in turn sees  Raven (later to become Mystique) trying so hard to blend in and hiding her natural blue skin and tells her, “If you're using half your concentration to look normal, then you're only half paying attention to whatever else you're doing. You want society to accept you, but you can't even accept yourself.” Lines like these are put in places that really help develop the characters and plot to make them dynamic and solid. Yet we can still relate these bits of advice to ourselves. It really makes the movie uplifting and memorable.

The biggest drawback in this movie is that it is a prequel. If you’ve seen the other X-Men movies or are familiar with the comics, you’ll know the condition everyone will ultimately be in by the end of the movie. It’s neat to learn where Professor X and Magneto came from, but we still know what will happen to them. Nevertheless, First Class is so well written that the characters we already know don’t get superfluous back stories that make the character illogical in context of the original story. The characters' past stories actually are interesting and compliment what we already know about them; the tension isn’t destroyed by knowing what will ultimately happen in the story. This is a pretty solid movie. There are a few disagreements in the timeline in relation to the other X-Men movies, though. One of which is having Xavier explain that Magneto helped create Cerebro in X-Men (2000), but in First Class we see Hank McCoy constructing it. There are several others, but pointing them out would be nitpicking; they don’t detract from the movie.

Comic book lovers, fans of alternate history, and fantasy-prone moviegoers in general will find something to love in X-Men: First Class. The visual effects are smooth and creative. The movie has an intelligent script that was well-acted with a multi-layered theme. It’s possibly the best prequel I’ve ever seen. It’s not a kids movie, unless your kids are comfortable with harrowing World War II concentration camp scenes spoken entirely in subtitled German. This was a good movie and is worth buying a copy.

Who is your favorite X-Men character? It could be from the movies or comic books. Why do you like him or her so much? Comment below and tell me why!