Krampus Review

There is a Austro-Bavarian Alpine folklore character called Krampus, a horned, anthropomorphic figure who punishes children who have misbehaved during the Christmas season, in contrast with Saint Nicholas who rewards the well-behaved with gifts. Frankly, I'm surprised this demonic folklore figure hasn't been used as a horror movie villain before now. Krampus (2015) features an ironic take on Christmas in general, features B-movie camp, and disappointingly little Krampus.

While the holiday season represents the most magical time of year, ancient European folklore warns of Krampus, a horned beast who punishes naughty children at Christmas time. When dysfunctional family squabbling causes young Max (Emjay Anthony) to lose his festive spirit, it unleashes the wrath of the fearsome demon. As Krampus lays siege to the Engel home, mom (Toni Collette), dad (Adam Scott), sister (Stefania LaVie Owen) and brother must band together with their dreadful visiting relatives to save one another from a monstrous fate.

So, it seems that the Krampus character has popped up increasingly in pop culture, including the Christmas episode of the American Dad TV series in season 9, where I first heard about it. When we hear about Krampus in the movie, he is referred to as "The shadow of Saint Nicholas." It seems to represent the bad qualities of Christmas that many people are becoming cynical about these days. This cynisism was beautifully Krampus starts with Bing Crosby singing "It's Beginning To Look A Lot Like Chrismas" while we see Black Friday shoppers trample store employees. beat each other up over merchandise, kids getting into fistfights in the middle of Christmas pageants, stressed housewives trying to make elaborate dinners, huge messes of holiday wrapping paper. This ironic opening scene was just beautiful; it captured the essence of the unpleasantness that Christmas can bring when we become materialistic, mindless consumers, and spiteful towards other people and family members during a season that claims to be about love, sharing, and kindness. It's this sort of attitude in part that draws the attention of Krampus.

I had really hoped the movie would go on to explore this lack of Christmas Spirit during the Christmas season, but it dosen't delve into it nearly as much as it had potential to. So many Christmas movies and TV specials try to sell "The True Meaning of Christmas" by having some grouchy Scrooge character or busy professional have a sweet change of heart and learn to love or some scientifically inclined intellectual experience the "magic" of the Christmas season and suddenly believe in Santa Clause or some such tripe. Here I was hoping to see Krampus terrorize people into a state of humility and gratitude that forced them to understand the love, personal sacrifice, and kindness that they claim they have but obviously didn't. There was tons of potential to do an ironic and scary "True Meaning of Christmas" thing. It started out that way, but quickly devolved into a Christmas themed home-invasion horror story with very little Krampus.

Krampus has hoards of ironic Christmas themed minions that he keeps sending into the house to abduct and terrorize the Engel family and their houseguests. There are killer Gingerbread men, a many-toothed teddy bear, a creepy angel, and a monstrous worm-like creature inside of a jack-in-the-box clown, to name a few. It's a more mature juxtaposition of Christmas and Halloween than was used in The Nightmare Before Christmas. The family ends up fighting off these creatures repeatedly; Krampus doesn't really appear until near the end. He's the titular character and we see a disappointing lack of this him. He's not really even a presence until the end. By that point he had hardly been established as a central villain and we didn't have a whole lot of reason to be afraid of Krampus specifically other than he looked kind of creepy.

With all the Christmas irony crammed into Krampus, it can be considered a horror/comedy. There's quite a bit of irony playing on Christmas special tropes, but that dies off rather early on. There's still humorous gems of dialogue strewn throughout the script. The relatives that come to visit Engel home are akin to the Cousin Eddie's family in National Lampoon's Christmas Vacation with none of the charm. Angry with his hosts, Uncle Howard complains to his wife, "We should have gone to stay with my brother!" "Your brother lives in a barn!" she says. "Jesus was born in a barn!" Later "I just got my ass kicked by a bunch of Christmas cookies!" proclaims Howard after one of the more comical attack scenes. Some eerie remixes of ordinarily cheery Christmas songs make their way into the background during action scenes which add to the surrealism and irony of the scenes.

The horror bits were kind of fun and creepy, but it feels like the movie held back a lot on the violence. When there is an opportunity for gore, it mostly happens off screen. The monsters are kind of scary and creepy, but not terribly grotesque. There are a number of scenes when it sounds like the characters are about to drop an F-bomb, but are either interupted or the dialogue sounds similar but is obscured with loud sound effects in hopes that audiences wouldn't notice there was a lack of profanity. This is all fine and dandy, but seems to be a watered down version of what the movie had in mind. The movie stays safely within its PG-13 rating, it just seems like the movie is holding itself back, which ultimately weakens what the movie was aiming for. It's as if it's trying to be really scary without letting itself be properly frightening.

Krampus is an ironic and down-to-earth spin on the normally whimsical and saccharine sweet Christmas movies and TV specials that we are bombarded with around this time of year. It's got funny bits, but the horror aspect takes center stage more often than not. There's funny dialogue, B-movie horror schlock, and doesn't get preachy about what it thinks you should think about Christmas. There is little interaction with the movie's titular monster, which is a big letdown, and it doesn't explore the potential for commenting on how awful some people are around the holiday. It feels restrained and didn't allow itself to do all it wanted to do, which keeps it from its full potential. It starts out strong, but has a weak, vague, and disappointing conclusion. It's almost like Gremlins meets National Lampoon's Christmas Vacation, but isn't nearly as good as either one. I can't recommend seeing this in theaters; it's just not worth the price of a movie ticket. If it does sound interesting enough for you to want to see, I'd wait to rent it from RedBox or something.

Are there other obscure mythological figures associated with holidays that you'd like to see star in a creature feature? Comment below to tell me all about it!

Chicken Run Review

The stop motion animation studio that did the Wallace & Gromit shorts took their first stab at a full length motion picture in 2000 called Chicken Run. It was bigger and more elaborate than any of the short films they had done before, and it truly was a remarkable feat of clay animation. It also conveniently happened to be a good movie on top of that.

Having been hopelessly repressed and facing eventual certain death at the chicken farm where she is held, Ginger the chicken (Julia Sawalha) has tried increasingly elaborate and desperate plans to escape. The farm’s owners Mr. and Mrs. Tweedy (Tony Haygarth and Miranda Richardson, respectively) keep their chickens under close surveillance to prevent any escapes. It’s not until Ginger sees a smooth-talking Rhode Island Red rooster named Rocky (Mel Gibson), who literally lands in their midst from out of the sky, that Ginger hatches the idea that the imprisoned chickens could fly away. Rocky needs to wait for his broken wing to mend before he can actually demonstrate how he flew, but time is running out as Mrs. Tweedy decides to move from selling eggs to selling chicken pot pies.

This really was an amazing bit of animation, mostly thanks to the difference in size between the chicken characters and the human ones. The chicken characters are very articulate puppets and the puppets for them were probably around a foot in height. The Tweedys were proportionately larger than the chicken characters, and since the puppets are made out of clay, they would have had to be remarkably heavy and very difficult to articulate. It’s probable that there were foot-tall versions of the human characters when scenes featured only them, but there are several scenes where they interact with the chicken puppets and huge puppets would be needed to interact with them. Consider how the villain Oogie-Boogie in The Nightmare Before Christmas was a large clay puppet that moved and danced seemingly effortlessly. The puppet, itself, weighed over thirty pounds and it kept falling over, forcing animators to reshoot scenes. The Tweedys were easily much bigger than Oogie-boogie compared to the chicken characters. Yet interaction is so seamless you can’t imagine how they could possibly have animated these characters with such a significant size difference. I’m not sure exactly how this was accomplished, but suffice it to say it was done extraordinarily well.

The story is good and well suited for laughs and endearing characters. Ginger and her fellow chickens try hilarious escape stunts that incorporate cartoon physics and slapstick humor. The chickens have varied personalities and are lots of fun. Even the bad guys are funny. There is a scene where Ginger and Rocky are trying to escape the new pot pie making machine’s test run. It’s every bit as action packed and silly as an old Tom and Jerry cartoon. There are sentimental moments and moments of great character development which add a great deal of relatability and charm to the movie.

My only real beef with Chicken Run was the blatant vegetarian and animal rights themes. I mentioned this in my review of The Pirates! Band of Misfits. It makes sense given the nature of the story: chickens living on a chicken farm trying to escape from maniacal farmers. The farm, itself, is designed to look like a concentration camp. This is kind of funny, but at the same time it seems ridiculous to compare the horrors and torture that humans underwent during the holocaust to chickens. Don’t misunderstand; I’m in favor of ethical treatment of animals. Chicken Run never outright tells you that eating meat is evil and you should only eat vegetables, but it’s certainly not subtly hinted at either. There are times the movie gets a bit close to being preachy but never actually does so. I’m still unconvinced, and still love me some fraid chicken. This shouldn’t dissuade viewers from watching Chicken Run; it’s still a very good movie. I simply think the vegetarian theme was a bit much at times.

Chicken Run is a really good movie. Kids will love the slapstick humor, adults will enjoy the story along with their kids since it doesn’t pander to strictly juvenile audiences, animation buffs will love the detail in the puppets and be baffled by how well they interact, and vegetarians will probably champion this movie as something that promotes their beliefs and is still very family friendly. I enjoyed Chicken Run a lot and highly recommend it to anyone. It’s got a 97% on RottenTomatoes.com; it really is worth your time.

Chicken Run was a good movie without being preachy. Can you think of other movies that were blatant propaganda hidden in an animated kids feature? FernGully: The Last Rainforest comes to mind. Comment below and tell me about some others.

The Nightmare Before Christmas Movie Review

I love a good holiday film, but sadly there tends to be so few good ones out there. As far as Halloween goes, there are only a few suitable holiday movies that I've seen which aren't simply slasher horror flicks. One classic that has withstood the test of time is The Nightmare Before Christmas (1993).

Halloween Town is a dream world where the citizens are friendly spooks such as deformed monsters, ghosts, ghouls, goblins, vampires, werewolves, and witches. Jack Skellington (Chris Sarandon) the Pumpkin King of Halloween Town leads them in a frightful celebration every Halloween, but Jack has grown bored with doing the same thing year after year. While wandering into the forest outside the cemetery, he stumbles upon a portal to "Christmas Town." Jack is so impressed by the feeling and style of Christmas Town that he presents his findings and his somewhat limited understanding of the festivities to Halloween Town. They fail to grasp his meaning and compare everything he says to their idea of Halloween. Jack reluctantly decides to play along and announces that they will take over Christmas. Sally (Catherine O'Hara), a rag doll woman created by the local mad scientist, seems to be the only one who thinks it will end badly. Things do take a turn for the worst when Oogie Boogie (Ken Page) the villainous boogieman sets his creepy sights on abducting Santa Claus.

Tim Burton is frequently, and erroneously, credited for directing Nightmare. Burton was actually the producer and was present only about ten days out of the three years it took to complete the movie. Nightmare was actually directed by Henry Selick who also directed two other amazing stop motion animated movies: James and the Giant Peach and Coraline. Burton did come up with the concept, though. Reportedly, Burton saw a store's Halloween merchandise display being taken down and replaced with a Christmas display, and the juxtaposition sparked his imagination. He then wrote a poem which drew inspiration from the TV Special Rudolph the Red-Nosed Reindeer, How the Grinch Stole Christmas, and the poem A Visit from St. Nicholas. Burton published and illustrated the poem as a children's book. The concept and design inspiration was all that Burton did, everything else was Selick.

Selick did strive to capture the feel of a Tim Burton movie, and he did such a good job that Burton is often given all the credit. Like many of Burton's films, Nightmare features spindly characters with huge eyes; there are lots of hard angles, spirals, and stripes. This is ironically juxtaposed against the cute and colorful world of Christmas Town. It's like Halloween Town is German Expressionism and Christmas Town is an outrageous Dr. Seuss village. When the two worlds collide, it creates a visually striking setting to tell a pretty funny story with some fun and creative characters. I love it when the Trick-or-Treaters show up at Santa's house.

The stop motion animation in Nightmare is still remarkable even today. Animated movies are often made with computer animation these days. While they are without a doubt fascinating, there's something more physical and organic about good stop motion animation. You can watch a CGI animated movie and even when it's impeccably done, your brain simply recognizes it as being artificially rendered computer images. But with good stop motion you see things that physically exist and that appear to be moving on their own despite how improbable that might be. Nightmare's visual effects and animation at its release was every bit as innovative and revolutionary as Star Wars and Who Framed Roger Rabbit were in their day. Even scenes that look as though they had to be made with computers were, in fact, not. For example, Jack's pet ghost dog, Zero, is transparent and interacts with physical objects. It only makes sense to have Zero be CGI animated, right? In actuality, a complex series of glass and mirrors were used to make the Zero puppet, which was off set, seem to be interacting with other puppets while appearing transparent. The result is amazing.

Part of what makes Nightmare so endearing is the music. Renowned movie composer Danny Elfman provided the score and musical numbers for Nightmare as well as providing the singing voice for Jack. The songs and score are so engaging and memorable that it will keep audiences humming the tunes well after the movie is over. The songs move the story forward and develop the characters while remaining fun to listen to. I hope the Blu-Ray has a sing along version or something. The two songs that have always stuck out to me are "This is Halloween" and "What's This?" They're just so catchy!

 The Nightmare Before Christmas is a cult classic and is still well loved even twenty years after its original release. I can't think of a single time since it hit theaters that merchandise wasn't available somewhere. Walt Disney Pictures has reissued the film annually under their Disney Digital 3-D format since 2006, making it the first stop-motion animated feature to be entirely converted to 3-D. This is the perfect movie for the holiday season, especially since it covers two holidays! Nightmare was originally released under their Touchstone Pictures banner because they thought the film would be too dark and scary for kids; even at PG, I think it might be a bit too scary for kids under the age of 6. But for anyone else it's a classic that shouldn't be missed. I think this is worth owning on Blu-Ray, possibly in 3-D if you can find it.

Here's the "What's This?" song. You can't tell me you don't get caught up in Jack's excitement and wonder.

Disney wanted to make a sequel using computer animation, Burton convinced Disney to drop the idea. "I was always very protective of Nightmare not to do sequels or things of that kind," Burton explained. "You know, 'Jack visits Thanksgiving world' or other kinds of things just because I felt the movie had a purity to it and the people that like it..." Thank goodness for that! But if there was going to be a sequel, what Holiday would you enjoy seeing Jack encounter? Comment below and tell me all about it!