Showing posts with label The Amazing Spider-Man. Show all posts
Showing posts with label The Amazing Spider-Man. Show all posts

Friday, September 11, 2015

The Lunchbox Review

I'm usually not a big fan of romantic films. I do like international films from time to time and films involving food is usually grab my attention. I don't recall where I heard about The Lunchbox (2013), but it's a charming movie set in India, though food isn't such a prominent feature as it was in other movies like The Hundred-Foot Journey. The Lunchbox was still a pleasant, light film even when it sticks to commonly used independent film tropes.
Lonely housewife Ila (Nimrat Kaur) decides to try adding some spice to her stale marriage by preparing a special lunch for her neglectful husband.  Through a rare mix-up of the famous "dabbawalas" of Mumbai (a complicated system that picks up and delivers lunches from restaurants or homes to people at work), the lunchbox Ila prepares for her husband ends up in the hands of Saajan (Irrfan Khan), an irritable widower on the verge of retirement who is frustrated with training his work replacement, Shaikh (Nawazuddin Siddiqui). Curious about her husband's lack of response, Ila adds a note to the next day's lunchbox, and thus begins an unusual friendship in which Saajan and Ila can talk about their joys and sorrows without ever meeting in person.
The dabbawala was something new to me. A dabbawala is a person in India, commonly in Mumbai, who is part of a delivery system that collects hot food in lunch boxes from restaurants or the residence of workers in the late morning, delivers the lunches to the workplace, predominantly using bicycles and the railway trains, and returns the empty boxes to the worker's residence that afternoon. I'm not clear why a lunchbox wouldn't be brought with the workers to their place of employment, but this creates a lot of jobs, so who am I to criticize? Harvard Bussiness School added a case study to their compendium for the dabbawalas' high level of service (equivalent of Six Sigma or better) with a low-cost and simple operating system. It's simply fascinating
When the movie started, I instantly recognized Irrfan Kahn. He's best known for his works predominantly in Hindi Cinema. He's been in a number of American films where I recognized him, such as Life of Pi, Slumdog Millionaire, Jurassic World, and The Amazing Spider-Man. He's very good in this film, and plays a character easy to relate to. Nimrat Kaur is a beautiful woman and displays some above average acting here. Nawazuddin Siddiqui's delivery seems a little stiff at times but he really sells his character's positivity and happiness.
The Lunchbox seems to be a romantic drama sort of story. It's got all the elements of a romance, but even though Ila and Saajan communicate through notes and form an emotional connection with each other, there's not really a romance that forms between them. Frankly, I'm okay with this. Saajan is at an age where he can retire while Ila is still a young mother. I feel that given the age gap between them would make any romantic interests awkward. It's less a love story as it is an evocative portrayal of loneliness.  Saajan and Ila are content to share their thoughts about life and their day with one another and that is sufficient for these characters.
Unfortunately, this epistolary exchange of pleasantries and philosophical musings lends itself to independent film tropes. Independent films often have long dialogues about life, what it is, it's fleeting nature, and how it's full of surprises. That is certainly present here, but it's actually well written and well incorporated and doesn't try to act like it's deeper than it actually is. The characters encounter major life changes, albeit common ones that most people experience; getting married, marriage trouble, problems at work, aging parents, caring for a child, beginning a new job, etc. These can make for some fascinating stories, but I felt the way they were handled here made them seem as mundane as real life actually is. Events seem very ordinary, even if they are well written and well acted. I think the what makes these things so interesting to me as a westerner is it peeks into the lives and customs of average residents in modern day Mumbai. What was happening was less interesting as how it was happening. I think that if this exact same story was set in Seattle, for example, it would be a hopeless bore.
The Lunchbox unknots the trials, tribulations, fears, and hopes of everyday people without the glamour that the city of Mumbai has become synonymous with. It's warm, affectionate, and sweet without being overly sentimental. It may have some independent film tropes but they are well incorporated and are good examples of these tropes. Other independent film makers could learn a few lessons from The Lunchbox. The camera work was solid and well shot. The acting was good and featured a talented cast. The only downside that western audiences might face is that it is not an English film. There are bits of English here and there, but the language used is Hindi with English subtitles. If that is too off putting, you're better off skipping this one. The Lunchbox is a good movie I'm glad I saw it, but it's not likely something I'd go out of my way to see again. It's an above average renter.

Have you seen a particularly good foreign romantic movie? Comment below and tell me all about it!

I loved the lunchboxes used in the film. They're called a "dabba" or Indian-style tiffin box. It's a metal and cylindrical, and comes apart in four tiers making four compartments or bowls. I actually found one of these Four Tier Indian-Tiffin Boxes online. I'd love to have one! Go check it out for yourself!

Friday, September 14, 2012

The Odd Life of Timothy Green Movie Review


While checking for showtimes of The Amazing Spider-Man I noticed another movie was in theaters that I hadn’t heard of before, The Odd Life of Timothy Green (2012). I’m not sure how I missed hearing about it; Disney generally spares no expense on letting their products be shouted from the rooftops. The trailer seemed interesting, so I went to see it. It’s exactly what the trailer said it was, and I have to say I liked it.
A childless couple, Cindy (Jennifer Garner) and Jim Green (Joel Edgerton) are told that every medical option has been explored and that they cannot have children of their own. Grief stricken, they go home and spend one last night with their dreams and wishes of having a child. They write down qualities they would like their ideal child to have, place the notes in a box, and bury it in their garden to put an end to their hopes. After a thunderstorm a ten year-old boy named Timothy (CJ Adams) arrives at their home, claiming the Greens as his parents. Strangest of all is the boy has leaves growing out of his legs around his ankles. Cindy and Jim take in Timothy for the time being and strive very hard to be the best possible parents to this odd, but good boy. They quickly find parenting to be a much more complicated and bigger challenge than they expected.
This is kind of a strange movie. It seems to be targeted towards kids, but there are a lot of themes in it that I really don’t think kids could grasp. You can’t really express to small kids the confusion a parent has when they don’t know whether to help their child or let them make their own mistakes. The story is driven by how people react to Timothy, but he’s not really the main character, Cindy and Jim are. Nevertheless, the story is simple and amusing enough that both parents and their children will enjoy the movie.
The Odd Life of Timothy Green is kind of a modern fairy tale for grownups in the sense of wish fulfillment, a journey of discovery, and a touch of magical influence. I couldn’t help but think of classic fairy tales that feature a childless couple who daily yearn for a child and then by some miraculous means, have a child. Jim and Cindy learn what being a parent is really like and that there is a lot more to it than simply providing basic necessities and love. While the story has some fantasy qualities to it, hardly anything magical occurs after Timothy shows up.
Good child actors are hard to come by. They are usually pretty unexpressive actors (like Quvenzhané Wallis in Beasts of theSouthern Wild) because they just aren’t old enough to know how to act, or they are so cute that no one cares that they don’t know how to act (like Shirley Temple). CJ Adams actually did a remarkable job in his delivery as Timothy Green. He was expressive without being melodramatic and lacked self awareness that most child actors have which weakens their performance. CJ’s performance felt very natural. He’s a pretty cute kid, too.
The Odd Life of Timothy Green really captivates old-time values. Although the movie has a present setting, it’s still about kids going outdoors to play, having community sporting events, autumnal colors, farm houses out in the rolling hills, khakis and polo shirts, birthday parties and swimming with friends. The only modern technology visible is in one scene where Cindy is trying to talk about being a parent to someone absorbed by their cell phone. The cell phone isn’t at fault; it’s just used as a means of illustrating how detached and busy the woman is from  taking care of her kids that she doesn’t really get to even know her kids. At any rate, it’s got a timeless, homey vibe that would make people of any age feel nostalgic for their childhood.
Like many Disney movies, The Odd Life of Timothy Green is very sweet. I didn’t think it was so sweet and sappy that it would dissuade me from enjoying it, but I could see some viewers feeling exasperated by the Normal Rockwell-style sentiment and sugary happiness. The movie has some truly lovely moments and, to be fair, a few that are a bit too saccharine to take very seriously.
Overall, I’d say The Odd Life of Timothy Green is an average movie. But being average is what gives the movie its charm. If you see it and think it’s too sappy and sweet, I could certainly see where you’re coming from. If you enjoy it as a cute movie about new a family awkwardly trying to fit into their new roles, I could sympathize most earnestly. I don’t think this is so much a kid’s movie; I do think kids would enjoy it, but not as much as their parents would. If you are a parent who genuinely loves your children, are hoping to be a parent soon, or even thinking of adopting, you will love this movie. If not, it’s still a cute film that is worth seeing someday. It wouldn’t be bad to see in theaters, but you’d be fine with renting it on DVD when it’s available. I wouldn’t mind owning my own copy on Blu-Ray, though it’s not a top priority.

Can you think of another movie that was targeted for kids, but where the main story would go right over their heads? Comment below and tell me about it!

Tuesday, August 21, 2012

The Amazing Spider-Man Movie Review

As a life-long fan of Spider-Man I had a duty to see The Amazing Spider-Man (2012) in theaters. If I didn’t, my inner child (who still carries his Spider-Man coloring book everywhere he goes) would be upset with me. Still, I was very skeptical about a Spider-Man reboot only 10 years after the original Sam Raimi’s Spider-Man movie, and only 5 years after Spider-Man 3. Did we really need a reboot that soon? I’m still not sure we did, but wow, did I ever enjoy this one!
Peter Parker (Andrew Garfield) is an outcast high schooler who was abandoned by his parents at the age of 4, leaving him to be raised by his Uncle Ben (Martin Sheen) and Aunt May (Sally Field). Like most teenagers, Peter is trying to figure out who he is and impress the cute girl at school, namely Gwen Stacy (Emma Stone). After helping Uncle Ben salvage boxes from a minor basement flood, Peter discovers an old fashioned suitcase that belonged to his father. Using the information he finds inside, he begins a quest to understand who his parents were and their disappearance. It leads him to Oscorp and the lab of Dr. Curt Connors (Rhys Ifans), the former partner of his father. Dr. Connors is working on cross-species genetics, in an attempt to regrow his missing arm. Peter is bitten by one of the spiders in the genetics labs and begins to develop spider-like powers. Meanwhile the information from the suitcase that Peter provides to Dr. Connors helps complete an equation Dr. Connors has been working on. In desperation, Dr. Connors tests the formula on himself, but it slowly turns him into a giant lizard. Donning a mask to hide his identity Peter Parker goes by the alias Spider-Man and takes on the bestial maniac, The Lizard, who is bent on forcing the citizens of New York to undergo the same process he did.
First and foremost, what does The Amazing Spider-Man have to offer that the previous three didn’t? The special effects weren’t all that different; it’s the same kind of web-slinging we saw in the Sam Raimi’s movies. It’s not like special effects have made huge leaps and bounds in the last 10 years to show us something new that Spider-Man can do. Spider-Man’s origin story is probably the best known of any super hero. The thing that stands out the most in this movie, though, is the characters.
At the age of 28, it’s hard to believe that Garfield is actually a teenager. But a lot of Hollywood movies do that. Anyway, Peter is an outsider by choice, not because he is disliked. In the original comics, Peter Parker was an outcast because he was a nerd. The concept of a nerd has changed a lot in 50 years, though. Today, nerds are running the world. So even as a science wiz, that’s not what makes Peter an outcast. Being left by his parents has given Peter abandonment issues and he’s afraid to get close to people. What was important in the original comics was that he was an outsider and that has been modified for this new version of Peter Parker in a contemporary context. Spider-Man was always a wise-cracking character, taunting his enemies with sarcastic, witty remarks. We see him do that more in this movie than the previous ones, but here we understand that it’s sort of a defense mechanism. Peter really lets his personality out once he is able to hide behind a mask, almost like how internet anonymity rids us of our inhibitions. Spider-Man practically becomes an internet troll in face-to-face interactions with thugs. Uncle Ben’s famous advice isn’t as prominently repeated as it was in previous films. It even takes a while before Peter starts to understand the philosophical idea Uncle Ben is trying to teach Peter. But still, Peter’s character isn’t defined by an obligation to be a good guy in memoriam of Uncle Ben. Peter is his own character, not the result of someone else’s expectations. I really liked that aspect of this character.
Most people don’t know that Mary-Jane Watson was not Peter’s first and only love interest. I’m glad we got to see Gwen Stacy in this film. And unlike Mary-Jane in the previous movies, Gwen isn’t there just to scream and beg Spider-Man to save her. Gwen is a strong female protagonist who was both cute and independent. She isn’t the damsel in distress character; in fact she helps oppose The Lizard, and not in a small token sort of way. She plays an important role in the overall plot. She also offers Peter a sense of stability. Peter comes from a sort of broken family and she offers him an environment free of parental loss. This isn’t to say the movie insists that the atomic family paradigm is the best. Peter simply wants to see parents present, and the Stacy family is able to show him that. Gwen and Peter form an intellectual bond that is beyond physical allure, and emotional connection. It’s great to see that kind of a relationship in movies as there isn’t enough of it.
Finally, The Lizard was a great pick for this story. Dr. Connors and Peter are like thematic equals. The theme is that we all have missing parts. Dr. Connors has no arm and Peter has no parents. These make each character feel incomplete. Both Peter and Dr. Connors are seeking to fill the void somehow, causing the story to become a kind of cautionary tale about choices. The Lizard isn’t the embodiment of evil, but rather a good man who made a poor decision. Connors genuinely wants to help people, but his reasoning becomes muddled as The Lizard takes over, almost in a Dr. Jekyll and Mr. Hyde sort of a way. My only complaint is that unlike in the comic books, there wasn’t a real separation of Dr. Connors and The Lizard. In the comic books, it’s all about stopping The Lizard and saving Dr. Connors. We don’t see enough humanity in Dr. Connors to get that sort of feel. Maybe if we had seen Dr. Connors with his wife and kids, it may have worked that way. But as it is in the movie, we would have been happy had the Lizard fallen to his death at the end.
Worth noting about the special effects is that the action is slowed down enough that we can see and understand what is happening in the action scenes with beautiful detail. In fact, one of the bigger fight scenes takes place in broad daylight. We’re able to see everything in glorious detail; nothing is left to obscurity in darkness. The movie has lots of detail to show us, and it makes sure we see it. Super powered as Spider-Man is, The Lizard is physically far stronger. In one scene we see The Lizard thrashing about while Spider-Man “wall-crawls” over his body, embalming him in webbing. Not only do we see that in great detail, it’s also tense. It’s obviously taking time and effort and The Lizard’s huge claws could slice Spider-Man in half. It was an awesome fight to watch.
The characters in The Amazing Spider-Man are really good; they’re deep, complex and layered. The story is really good, too. It keeps the well known Superhero legend intact while still presenting it in a fresh, new way. You’ll be able to empathize with the characters. Heck, you’ll probably see aspects in these characters in people you know. Aunt May scolds Peter for coming in late after crime fighting, telling him that she cannot sleep until she knows Peter is safe at home. When she said that, I recalled having a similar conversation with my mother back in my teens. I think the previous movies did a better job of casting actors who looked the part, but the actors in this one did a great job. There are a lot of unanswered questions by the end of the movie, insinuating there will be a trilogy all about discovering who Peter Parker’s parents are. Also, stick around mid-way though the credits for an extra post credits scene. You’ll be chomping at the bit to see the next installment. The Amazing Spider-Man is a good movie, I highly recommend seeing it. I will be buying this on Blu-Ray when becomes available. If you’re a fan of Superhero movies, I recommend you do the same.

Who is your favorite Spider-Man villain? Mine is Venom, hands down. Comment below and tell me why you like him or her so much!