Showing posts with label Alien. Show all posts
Showing posts with label Alien. Show all posts

Friday, July 26, 2013

World War Z Movie Review


From the moment I heard about a World War Z movie I was beside myself with enthusiasm and anticipation. That was all destroyed when I saw the first trailer for the 2013 movie. I'm a fan of Max Brooks World War Z novel, and I had high hopes for a good movie but it was blatantly evident just from the teaser trailer that the movie would have little, if anything, to do with the book. I became dead set on boycotting the movie based on the trailer. Curiosity got the best of me and I went to see World War Z in theaters and I have to admit, I'm glad I swallowed my pride.
Life for former United Nations investigator Gerry Lane (Brad Pitt) and his family seem content. News of a mysterious infection that is rapidly becoming a worldwide pandemic is everywhere, and it's not long before the Lane family sees the plague hit their Newark, New Jersey home. Infected people quickly become rampaging mindless zombies. After barely escaping the chaos, Gerry is persuaded by the UN Deputy Secretary-General to go on a mission to investigate the disease in exchange for keeping Gerry's family safe. What follows is a perilous trek around the world where Gerry must brave horrific dangers and long odds to find answers before the entire world's human civilization falls.
Max Brooks' novel reads like a non-fiction book. It's a series of oral interviews conducted by an agent of the UN Postwar Commission with people who have interesting personal stories about the global zombie war (World War Z) and gives a broad overview of the fictional event that nearly wiped out humanity. If I were in charge of the world, World War Z would be a sort of mockumentary with interviews and footage from the zombie war. District 9 did something like this and it was fantastic! Had World War Z been structured similarly, the movie would probably have appeased a lot more fans.
While World War Z is absolutely a zombie movie, it doesn't revolve specifically around the zombies being gross and killing people. That is present and there is plenty of it, but the movie focuses primarily on the outbreak and public panic. There's a crisis and people panic and there are innumerable complications that arise from it; stampeding panicked mobs, traffic jams, looting stores for medicines and emergency supplies, people so on edge that they accidentally kill each other for fear that someone might be a zombie, etc. This is played out really well; it's actually more unsettling to watch society collapse under insane panic than it is to see a twitchy, screeching zombie tackle someone to the ground and bite into them.
Fans of blood and gore horror movies will probably be a bit disappointed with World War Z; there is hardly any blood and gore in the movie. Generally zombie movies will focus a lot on the violence and try to generate some kind of shock value from  seeing limbs torn off or blood gush and splatter from wounds. Yes, I suppose that can be fun for some viewers, but again the zombie mayhem wasn't the primary focus in the movie. This easily could have achieved an R rating by focusing more on individuals resisting zombie attacks and the bloody conflict that would ensue, but the movie has a broader scope. Taking the time to focus on the open wounds of a few individuals would have detracted from the macro-level scale of the film. It also kept the film in the much more marketable rating of PG-13. Besides, zombie blood and gore effects are so simple to make that even low-budget independent films can pull it off easily. Having a zombie film without those sorts of effects and still manage to put audiences on edge suggests that the director, Marc Forster, did an excellent job.
I loved the mood of World War Z. It was remarkably tense. I've had several people say they haven't been so on edge during a film since they saw Ridley Scott's Alien movie. I have to agree! The movie focuses a lot on mood and atmosphere and amps up the tension substantially. Many contemporary horror movies don't focus enough on creating that sense of dread and palpable foreboding. Not only did World War Z do this, it did it very well! There's a scene where Gerry has to navigate through a building full of dormant zombies and the slightest stimulus will wake them. Every little sound is like a death sentence. That is what horror movies are supposed to be like and this movie achieves that sense of tension exquisitely.
The mood, setting, and tension are beautifully done, but the script and characters are kind of flimsy. The script does an excellent job of establishing the world setting and the "rules" for its particular brand of zombies. The story itself is pretty repetitive. Gerry arrives at a place that has the situation mostly under control, and then all hell breaks loose. He arrives somewhere else that is reasonably calm and contained, then things fall apart. It sticks to a fairly predictable pattern throughout the movie. The characters weren't developed in much detail. Sure, Brad Pitt plays his role well, but the character isn't very deep. His family members even less so. I wouldn't really have cared had his family died at the beginning of the movie. Gerry's wife seems to be present exclusively for the purpose of having Gerry call her between scenes to let her know he's still alive. Again, the movie is focusing primarily on the setting and atmosphere, but I think the overall quality of the film would have been improved if Gerry at least had been fleshed out more as a character.
The special effects were pretty impressive for the most part. Yes, there are scenes that are obviously achieved by CGI, but for the most part, it all looks pretty convincing. My favorite scene is in Jerusalem where countless hoards of zombies are trying to get over the large wall built around the city and they mindlessly pile on top of each other trying to chase a single target. The zombies actually pour into the city looking for all the world like a cascading river of bodies flooding the streets. What's more, the scene takes place during the day where nothing is left to the obscurity of darkness. It's incredible to watch and made me wish each shot would last a little longer so I could just watch and appreciate how amazing the movement and detail is.
If you are a fan of the World War Z book, you really should try to distance yourself from the book and just go watch the movie. It's pretty good on its own even if it has little to do with the book. The setting is remarkable, the tension is palpable, the visual effects are excellent and have made World War Z one of the most expensive zombie films to date. The story and characters are a bit weak, but most everything else in the movie is pretty solid. If you've read the book or even Brooks' The Zombie Survival Guide (both of which I recommend), you may notice some subtle references in the movie here and there. I think the World War Z movie will ultimately be accepted into the zombie movie cannon. I recommend seeing World War Z, but it can probably wait for a home video release; the cinematography is good, but I don't think it gains anything significant by being on a big screen.

Here's the trailer for World War Z so you can catch a brief shot of that cascading river of bodies scene:


What is your favorite zombie movie? Comment below and tell me why!

Friday, January 20, 2012

Dark Water Movie Review

I don’t like categorizing films according to genre. It’s an oversimplified way of describing a film and it tends to besmirch any movie that doesn’t have a solid absolute category into which it fits. Horror movies seek to elicit a negative emotional reaction from the viewers by playing on their fears. Psychological horror movies rely on character's fears, guilt, beliefs, and emotional instability to build tension. Dark Water (2005), directed by Walter Salles, definitely pulls this off. Dark Water is an American remake of Japanese film by Hideo Nakata, who also inspired the Ring (1998) movie, which also has an American remake.
Dahlia Williams (Jennifer Connelly) and her daughter Cecelia (Ariel Gade) move into a rundown apartment on New York's Roosevelt Island. She is currently in midst of divorce proceedings with her husband Kyle (Dougray Scott). The apartment, though near an excellent school for her daughter, is all she can afford. From the time she arrives, there are mysterious occurrences and there is a constant drip of dark water from the ceiling in her daughter's bedroom. There are also the noises coming from the apartment directly above hers, though it appears to be vacant. The manager Mr. Murray (John C. Reilly) seems blissfully oblivious to the strange things going on in his building, and the superintendant Mr. Veeck (Pete Postlethwaite) seems to want to ignore or evade the problem. Is the apartment haunted, or is Dahlia’s emotional distress getting to her?
Horror movies often have a female protagonist who ends up being the last one alive to confront the antagonist. This “Final Girl” is a horror movie trope can be seen in many horror movies; Friday the 13th (1980), A Nightmare on Elm Street (1984), The Texas Chain Saw Massacre (1974), Alien (1979) , and The Ring (2002) to name a few. Interestingly, Dark Water doesn’t have this character. Dahlia is just a simple woman who still struggles to overcome some childhood trauma wrought by an alcoholic mother. Dahlia tries to make ends meet, and support her daughter, and live within her means. She is a very natural character that anyone could relate to who, by some fluke, is confronted with the supernatural. Given Dahlia’s weaknesses and fear of abandonment, we are left to wonder if she will allow her daughter to be endangered. I couldn’t help but care about Jennifer Connelly’s character.
A dark, gloomy visual style is permeated throughout the film; most everything seems grimy, dank, and dreary. It reflects Dahlia’s depression and hopelessness very well. The ominous leak in the ceiling looks like some kind of evil infestation rather than common water damage. The black water seeps throughout the apartment building, is gross and seems to have a life of its own. In fact, it’s really not clear for most of the movie whether or not the dark water is imbued with the supernatural or just a manifestation of Dahlia’s depression. Her psychological state is so well illustrated and incorporated as a meaningful plot development, that as Dahlia begins to question her own sanity, we, the viewers, begin to question our own sanity. The conclusion is certainly over-the-top, and doesn’t quite show us how everything ultimately fit together; but it complements the theme of uncertainty and mystery in the movie.
If you’re the squeamish type, it’s good to know that while there are some scary images, this isn’t a “blood and guts” sort of horror movie; it is suitably PG-13 material. Dark Water was disturbing, creepy, kind of gross, and impinges on ones sanity; which is exactly what the movie was trying to do! That’s the ambiance for which good horror movies strive. Therefore, I have to say that Dark Water was very well directed, beautifully written, splendidly acted, and skillfully filmed. I think Horror Movies are an acquired taste, one which I have not yet acquired. Having said that, Dark Water probably isn’t something I’d go out of my way to see again. But it’s a really well executed movie that achieves what it sets out to do. If you like horror movies or psychological thrillers, I’m certain you’d enjoy Dark Water.