To
get myself through college, I worked several menial jobs. I went through
several second jobs which varied in terms of agreeableness. The primary job
that I stuck with for four and a half years was at a Taco Bell. Oh, the stories
I could tell about that. I related an experience to a friend about being
berated by a customer because the tacos I gave her didn’t look as good as the
ones pictured on the menu, and my friend told me I needed to watch Clerks (1994). It was almost like
reliving my years at Taco Bell.
Dante
Hicks (Brian O'Halloran) works at a local convenience store in New Jersey. On
this particular Saturday Morning, he gets called in on his day off. Once there,
he must deal with multiple problems. The shutters outside won’t open. His
ex-girlfriend Catlin (Lisa Spoonhauer), with
whom he is still in love, is getting married. His current girlfriend
Veronica (Marilyn Ghigliotti) pressures him to return to college and mentions
some intimate relationship she’s had before Dante. His boss hasn’t come in to
take his place. He has a scheduled hockey game at two o’clock. Another
ex-girlfriend has died, and today’s the last day he can go to her wake. He has
to deal with customers who aren’t so intelligent or rational. His friend Randal
(Jeff Anderson), a clerk at the video store next door, is even less dedicated
to his job then Dante is to his own, and is always bothering Dante’s customers.
And the biggest problem of them all: Dante’s not even supposed to be there
today!
Between
crude sexual discussions from coworkers, customers who were incapable of
deciding or articulating what they want, inane drama between employees (and
sometimes customers) resulting from who is sleeping with whom, the insultingly
demeaning and repetitive work, and condescending managers with holier-than-thou
attitudes, Clerks reminded me way too
much of my experience working at Taco Bell. To be fair, the Store Manager I
worked with was one of the few competent individuals working there, and
possibly the best boss I’ve ever had. But I think that’s what makes Clerks so successful as a film; it’s
unnervingly realistic in its absurdity. Anyone who’s ever worked fast food, at
a convenience store, or at any other menial job will be able to empathize with
the characters in Clerks.
Kevin
Smith directed Clerks with a very
modest budget of $27,575. He shot the whole thing at the Quick Stop where he
worked while the store was closed. He had several family members and childhood
friends act in the movie. The film was shot in black-and-white with what appears
to be a convenience store security camera. This made the film look more
realistic; as if it were real events haphazardly caught on film during a normal
work day. Most of the movie takes place in the store itself, and the space
constraints probably should have posed a problem, but Smith used some very
creative shots in this dialogue-driven movie. In one scene Dante and Veronica
are cuddled up on the floor behind the counter while he paints her nails as
they talk, and to get some privacy. Dante leaves some change on the counter and
a sign that reads, “Please leave money on the counter. Take change when
applicable. Be honest.”
Clerks has a pretty
weird sense of humor; it’s satirical, bleak, and sarcastic. I found myself
rolling my eyes and muttering “ain’t that the truth” more than I was laughing
at it. The fact that the store’s antics are so verisimilar is what makes them
funny. Reality is funnier than fiction, it seems. At the same time it’s a
remarkably crude movie. It was originally rated NC-17 based purely on the
movie’s explicit sexual dialogue since it contains no violence or nudity. But
Miramax films (Clerks distributor)
set their lawyers upon MPAA and persuaded them to re-rate the film with a more
commercially viable “R” rating. There were times the dialogue was just gross,
but it really is the kind of thing I would hear coworkers talk about at Taco
Bell; I kind of built up immunity to such discussions.
Clerks was well
directed and well executed as a film. It’s a cult classic, and Kevin Smith has
gone on to write and direct other successful films. It’s almost uncanny in its
verisimilitude; therefore it will find an audience among clerks, menial labor
workers, or anyone who has had such a job. I’m glad I saw it since it kind of
put a humorous perspective on my past experiences, but I don’t intend to watch
it again. I may have become tolerant of offensive dialogue, but it’s still
offensive and I don’t really want to hear it any more than I must. That’s
entirely a matter of personal preference, though. If you aren’t bothered by
raunchy dialogue, or even enjoy it, you’ll probably love Clerks and may even consider getting a copy. Like I said, it’s a
well written, directed, and executed movie.
What's the worst job you've ever had? What made it so lousy? Comment below and tell me all about it!
What's the worst job you've ever had? What made it so lousy? Comment below and tell me all about it!
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