Scott Pilgrim
vs. the World
hit theaters in 2010, only a few years after the graphic novel upon which it is
based hit shelves. I’d never heard of
the Scott Pilgrim comics before
seeing the movie trailer. It’s another strange genre-bender. Action-romance, maybe?
It’s a genuinely fresh type of movie; I haven’t seen anything quite like this
before.
22-year-old
Canadian, Scott Pilgrim (Michael Cera) plays in an amateur rock band called
“Sex Bob-omb” that is trying to gain popularity and get an album recorded. He
dates Knives Chau (Ellen Wong), a high-school girl five years younger than him.
Scott hasn’t quite recovered from being dumped by his former girlfriend, who is
now a success with her own band. After a concert, Scott’s band attends a party
to try to schmooze with some sponsors. There he meets a mysterious American
girl named Ramona Flowers (Mary Elizabeth Winstead), and falls head over heels
for her. Scott has trouble breaking up with Knives while also trying to romance
Ramona. As if juggling two women wasn’t enough, Ramona comes with baggage;
seven ex-lovers who form “The League of Evil Exes.” Each one wants Scott dead,
and he must fight to the death in order to win Ramona.
Scott Pilgrim
vs. the World
is really creative and funny. The most overt element to this movie is all the
video game references. It’s not based on a video game, but the flashy visuals
and sound effects make lots of references to video games and anime. We’re
talking back when video games were good; Super Nintendo-style video games, not
X-Box 360 junk. It’s almost like a movie based off of an action video game
about dating. The fight scenes resemble the Street Fighter video game and
Dragon Ball Z episodes. Scott’s pick up lines involve facts about Pac-Man. At
one point, Scott even gets a “1-Up.” The social parody in Scott Pilgrim vs. the World is hilarious enough on its own, but all
the video game-isms rack up the humor and style by several notches.
Another
neat thing about this movie is all the subcultures that appear in it.
Independent musicians, vegans, video gamers, skaters, the LGTB community, and
hipsters all make appearances in this movie. But unlike most comedies that
crack jokes at the expense of such subcultures, Scott Pilgrim vs. the World doesn’t put down or mock anyone. For
example, one of the evil exes is vegan, and being vegan gives him psychic
superpowers. Chris Evans plays Lucas Lee, another evil ex, who is a “pretty
good” skateboarder turned “pretty good” action movie star. Every skater I’ve
met seems to treat their board as an extension of themselves, and Lucas uses
his ever-present skateboard not only to do stunts, but also as a weapon. Every
subculture in this movie is depicted as a normal part of society, not a bizarre
thing to be mocked.
The
pacing is a bit slow, despite the constant action. Nevertheless, it remains
entertaining and fun to watch. The story gets a little repetitive, though. It’s
a series of fights with evil exes with scenes of amusing romantic awkwardness
linking them together. That’s not to say it’s bad, it just falls into a
predictable pattern about half way through the movie. There’s some impressive
cinematography and fight-scene choreography. They do some really neat things
with the lighting. Scott Pilgrim vs. the
World was written and directed by Edgar Wright. He also did Shaun of the Dead (2004) and Hot Fuzz (2007), which are both great
comedy movies. Wright really does an impressive job with the writing and
direction of this movie.
Music
plays a strong role in the movie. I’m of the opinion that there hasn’t been any
good music released in well over a decade. Most of the music didn’t appeal to
me. A lot of it sounded like music a group of amateur teenagers might put
together in their mom’s garage. Incidentally, that’s kind of what the band
members in Scott Pilgrim vs. the World
were doing. So the music fit well into the movie. They also convinced Nintendo
to let them use some classic tunes from The
Legend of Zelda video game series, which was hilariously implemented.
If
you enjoy classic video games, anime, or have ever had relationship problems,
you’ll find something to enjoy in Scott
Pilgrim vs. the World. It’s refreshing in its lack of pretension and lack
of smirking irony. Depending on your age you could probably interpret it as a
postmodern epic for the Nintendo generation or a statement on modern youth
detachment from actual human emotions though the advent of technology. Young
adults and teens that grew up with Nintendo (like I did) will probably get a
huge kick out of this movie. Older adults might become irritated with the
flashy visuals and constant dialogue about the modern dating scene. It has
become a cult classic in only a couple of years and is a great cinema spectacle
to behold. I recommend seeing it.
Scott Pilgrim vs. the World seems to be the
first of a “video game” movie genre; not actually based on a specific video
game, but is designed to look like a video game. The upcoming Wreck-It Ralph movie looks like it will
be similar. Do you think video game movies like these will become a legitimate
movie genre? Why or why not? Comment below and tell me why!
No comments:
Post a Comment