We
finally get to see the conclusion of an epic trilogy. Christopher Nolan has
delivered to us two phenomenal Batman movies that I believe redefined superhero
movies for us. They were more grounded and less flashy, they had stories with
deep meaning, and discussed some philosophical ideas while still keeping us at
the edge of our seats. So does The Dark
Knight Rises (2012) deliver what we’ve come to expect from Nolan?
Eight
years have passed since Batman (Christian Bale) vanished after taking the blame
for the death of D.A. Harvey Dent. Batman took the fall for Dent’s crimes, a
move that he and Commissioner Gordon (Gary Oldman) both hoped was for the
greater good. Criminal activity in Gotham City was crushed by the anti-crime
Dent Act which was founded upon the lie of Dent’s pure reputation. That is,
until a cunning cat burglar named Selina Kyle (Anne Hathaway) emerges with a
mysterious agenda. Far more dangerous is the appearance of Bane (Tom Hardy), a
masked terrorist whose ruthless plans for Gotham drives Bruce Wayne out of his
self-imposed exile. But even if Bruce Wayne becomes The Dark Knight once again
to protect the city that has branded him an enemy, Batman is no match for this
powerful opponent.
Sometimes
in a sequel, the movie will rush through some setting or character development
on the assumption that you have seen the previous movies. That’s not an
unreasonable assumption, but it makes for some pretty sloppy writing. In The Dark Knight Rises, key events from
both Batman Begins and The Dark Knight are still weighing
heavily on the main characters. We see Bruce Wayne draw inspiration from events
that caused him to don the cape and cowl in the first place. We see
Commissioner Gordon grieving the fact he is protecting the villain who
attempted to kill his family. These plot points are developed enough in this
movie to be significant within their context, but if you haven’t seen the
previous two movies you may not appreciate their impact.
Bane
is an intriguing villain. I’ve seen Bane in other media; in the 1990’s Batman
cartoon show, The Batman & Robin
movie, and even in the recent Arkham
Asylum video games Bane is depicted as being little more than an immensely
muscle-bound thug. The Dark Knight Rises
shows us Bane as he is in the comics; he’s highly intelligent and physically
monstrous. There’s this menacing discrepancy between his voice and his physical
appearance. Thanks to his mask he sounds almost like Sean Connery speaking into
an Optimus Prime voice box. Hardy gained thirty pounds of muscle for this role.
As if that wasn’t enough, we learn that Bane knows all of Batman’s tricks of
distraction and leverage. Batman cannot face this guy and hope to win. He is a
genuinely unstoppable menace and an outstanding villain!
Anne
Hathaway brilliantly plays Salina Kyle, Catwoman. Unlike Bane, we don’t get to
hear much of her back story. She is manipulative, smart, cunning, and sexy. She
can really take care of herself; she’s just about as tough as Batman is. People
try to take advantage of her or overpower her and she twists the whole thing
around to her advantage, sometimes without her oppressors knowing it until
later. Catwoman and Batman share a lot of similarities, which makes the
dynamics between their characters really interesting!
The Dark Knight
Rises
is almost like a superhero movie without the superhero. Bruce Wayne’s alter
ego, Batman, doesn’t show up a whole lot. When he does it's great, but this
story is about Bruce Wayne having to become Batman again after his self-imposed
exile. Thanks to Bane, Bruce has lost literally everything; his wealth, home,
physical wellbeing, freedom, his gadgets and even his anonymity as Batman.
There is nothing else that can be taken from him; he is at his lowest low. It’s harder to become Batman again than it
was the first time, but his wounded, emotional arc is deep and interesting.
The
story in The Dark Knight Rises can be
interpreted more politically than philosophically than the previous two movies.
Bane is an anti-capitalist villain with a plan similar to the Occupy Wall
Street movement to destroy Gotham City, and their only hope is an unpopular
billionaire entrepreneur. I could see some viewers getting politically offended
by the story, but I don’t really think that Christopher Nolan was going out of
his way to make a political statement. I think Bane simply saw the flaws in the
society of Gotham (namely the class discrepancy which was a plot device in the
previous movies), drove a wedge into it, and let the world crumble around
him. You can infer political and philosophical
concepts from any movie. People will get different meanings from the same movie
based on their views. You shouldn’t write off this movie just because you see a
political analogy that contradicts your own views. It’s still a good movie.
My
biggest complaint is that the tone of The
Dark Knight Rises was much more somber and even more depressing than the
previous ones. In The Dark Knight,
The Joker rigs two ferries with bombs and invites each one to blow up the other
before they are blown up themselves. But the passengers on each boat refuse to
kill the others, showing that even when faced with death they still choose to
believe in good. In The Dark Knight Rises
as soon as Bane shakes the foundation of the social stratification, the
lower-class immediately seizes the upper-class with hardly any provocation.
These don’t sound like the same citizens who refused to blow each other up
eight years ago. The Dark Knight Rises
shows us a much darker view of people, and it didn’t settle well with me. We
also see Batman sink to his lowest low and stay there for most of the movie. We
see Gotham essentially destroyed, and see people lose hope. Sure, we need to
see a good conflict or the story wouldn’t be interesting. But so much of the
movie is spent in a somber tone it almost becomes depressing.
The Dark Knight
Rises
was painstakingly well crafted to give us a satisfying sense of closure to the
trilogy. It gets a little bit convoluted here and there, and the pacing slows
down in the middle. It’s easy to get swept up in some political allegories. If
you take it at its face value, The Dark
Knight Rises brings the trilogy home with a bang, even if it doesn’t quite
meet the exceedingly high standards of its predecessors. Catch this in theaters
if you can; I may go see it again. I’ll be getting this on Blu-Ray to complete
my trilogy.
There
are a lot of movie Trilogies out there now; Lord of the Rings, Star Wars, The
Dark Knight, Indiana Jones, and The Matrix to name a few. Which is your
favorite movie trilogy? Comment below and tell me why!
I think the most interesting part of this movie is the story that will never be told, the epilogue, which I think would involve us learning about how a ridiculously rich guy, who was once a man who dressed up like a bat and fought really hardcore bad guys, settles down with a thief to make a "normal" life for himself. Is that even possible? Does he know how to get a job? Did he go back to college? Did he finally get some counseling? I'm really serious. I have thought about this almost everyday for a week (since I saw the movie) and can't help, but wonder what happens to Bruce Wayne. I suppose that desire to know more about Bruce is evidence of what a good job Nolan did in making us (or maybe just me) connect with Bruce rather than Batman. You're right, Batman is not a main character in this movie. I think this is made even more evident by the constant revelation of his identity, in the end everyone knows who Batman was. He ceases to be Batman and becomes Bruce Wayne except that we never do know who that new Bruce really is.
ReplyDeleteThat's an interesting idea!
DeleteI had only wondered if Bruce was able to just settle down with someone. His ability to be a post-Batman, ordinary human sounds like a highly interesting concept. Yeah, that is an indicator of how well Nolan wrote and directed these movies.
Thanks for your comments! That's gonna have me thinking for weeks now.